A Quote by Amanda Palmer
If I were a guy, it would be, you know, just a different set of problems I have to carry along.
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I've had a carry permit for 30 years, and I would say off and on in different instances where I have, you know, felt it was appropriate, I would carry the weapon on myself.
Music does not carry you along. You have to carry it along strictly by your ability to really just focus on that little small kernel of emotion or story.
I'm just different. There are a handful of different types of genre of music that I would love to just jump into and people don't realize that I'm really good at those things. They just know me as Tony Sunshine, the guy that sang the hooks for Terror Squad.
The problems that you see startups tackling are dramatically different in different cities. Silicon Valley is unlikely to produce the same set of companies as New York or Cleveland because the region has a different set of strengths and defining institutions.
Everybody wants to be fancy and new. Nobody wants to be themselves. I mean, maybe people want to be themselves, but they want to be different, with different clothes or shorter hair or less fat. It's a fact. If there was a guy who just liked being himself and didn't want to be anybody else, that guy would be the most different guy in the world and everybody would want to be him.
I don't know that person anymore, that guy in '86, '87. I don't know that guy no more. I don't have no affinity for that guy no more. I have no affinity for the guy who said, 'I am the greatest fighter God produced.' I have no affinity for the guy who said he would try to push his [opponent's] nose bone up into his brain. I just don't know that guy. I don't know who he is. I don't know where he came from. I don't have no kind of connection with him no more.
When he first started - Jim Henson, who created Bid Bird and Oscar - he said Big Bird was just a big, goofy guy. And it was - a script came along and I said, 'I think Big Bird would be much more useful to the show if he were a child learning all the things we were teaching in the show.' And so he didn't know the alphabet, even, for instance.
The thing that actually makes a guy settle down is when a woman comes along who has a different set of standards than the other women he's met. Then she immediately becomes unique.
Wiz is a cool guy, humble guy, down to Earth guy. You would really think he was just a regular guy if you didn't know who he was. But he still has a superstar aura about him.
On the set, everybody is different, so you have to deal with different sensibilities. I don't have a method. Usually, I try to have a good connection with the actor that I'm filming. Even a guy who's there with two lines of dialogue, I always try to have a connection with the guy I'm filming, just to make it into a nice, enjoyable moment.
Stuffwise we are not a lean operation. We're the kind of people who, if we were deciding what absolute minimum essential items we'd need to carry in our backpacks for the final, treacherous ascent to the summit of Mount Everest, would take along aquarium filters, just in case.
People don't realize that, you know, we have - "we" meaning people in show business have the same problems as everybody else. Money don't change that. Fame don't change that. Sometimes that brings on more problems. You know, it's just a - different kind of problems. As they say, money ain't everything.
If Jesus, Moses, the Buddha and Mohammed
were to bump into each other along the road
and go have a cup of tea or whatever,
I think we all know
they would treat one another far different and far better
than a lot of their followers would.
In a different moment, in the 60s and 70s, I did believe we were going to succeed - that we were going to create a revolution, that America was going to be a completely transformed nation state and that there would be an amazingly different set of beliefs; that this country would reflect. And I thought that that was the fulfillment of the American democratic dream and I believed in it passionately.
I would go for the biggest guy on the team, dump the puck in. I would chase after it because I was very fast. If I wanted to get a big hit, I would have to leap into the guy. The guy would be maybe a 6-3 defenseman, 220, I would leap into this guy and plow him over. He would just fall to the ground. That was my thing.
People don't realize that we, we meaning people in show business, have the same problems as everyone else. Money doesn't change that. Fame doesn't change that. Sometimes that brings on more problems. You know, it's just a different kind of problems.
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