A Quote by Amanda Palmer
Men find powerful women so threatening, and finding a partner was starting to look laughable, because I would be really attracted to guys and they would just be so threatened and I didn't like feeling threatening, I didn't want to feel threatened, I didn't want to feel like I was towering over anybody.
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Personally, the message that I would like to convey to everyone is just that life is really great and you can do whatever you want with it. That's what I feel like I've gotten out of my experience with the band, because I have done so many amazing things that I never thought I would get to do-and I don't really feel like I'm any more qualified than the next person. I feel like people should take their goals seriously and do exactly what they want, because they can.
I don't think there's much chance that the North Koreans would attack Guam or any other territory out of the blue. They would only counterattack if they felt existentially threatened. The questions is, At want point will North Korea feel it is threatened enough to make such a strike? We don't know that yet.
Women smirk at baldness. How adorable would they find it if they began to lose their breasts in their late twenties? If both tits just shrunk up - unevenly I might add - and eventually turned into wine-cork nubs. Then it would be a different story. Then men would get the pity that they deserve. As far as I'm concerned, baldness is the male breast cancer only worse, because almost everyone gets it. True, it's not life threatening. Just social-life threatening. But in New York City, there is no difference.
When art is really great, it's really powerful, can really do something to you, make you feel more alive and make you feel more connected to something. If you don't feel like that when you do it, and you just make a movie to make money, that would be pretty boring to me. I just wouldn't do it. That would be like sitting in an office, which I don't want to do.
Girls love it when you have some weird nerdy thing in your room. It makes you look less threatening, even though I'm, like, very threatening. I'm the most threatening guy ever.
I want to be very authentic when I perform, because I feel like I owe that to people listening. You can't go through the motions on music like this. You are making people feel a certain way, that you are not feeling yourself. It's like saying "I want you guys to cry, but I don't really care," which isn't right.
There's nothing more threatening than a powerful woman, and there's nothing more threatening to the current order of things than women powerfully owning their own narrative. It's so threatening to people, to women as well, and it's threatening the order of things.
When we have that scene where I shoot that huge machine gun, my first thought was "Why does anybody want this? What is the point of something like this?" I know some people feel powerful or whatever and I'm just like, " I feel like I want nothing to do with this."
Some men don't want their women to speak up, and then other men are attracted to that very thing. But as a woman, you don't want to be just window dressing. I've probably been unattractive to some men because I do say what I feel and what I think. You can be political about it, but I don't have a red flag. I don't have a mechanism in my head that prevents me from saying what I think, or if something upsets me or if I feel like I'm being degraded. I come from a family of very outspoken women. I can't imagine living in a time when you couldn't express what you felt.
Why are tall guys always attracted to short women? Not just moderately short women, either... Tiny women. Polly Pockets. The tallest guys always-always-always go for the shortest girls. Always. It's like they're so infatuated with their own height that they want to be with someone who makes them feel even taller. Someone they can tower over. A little doll that will make them feel even bigger and stronger.
There's a diversion between economic reality - integration, global village, everybody depending on everybody else - and cultural reality, which is people feeling invaded, undermined, threatened, wanting to have "stand-your-ground" legislation all over the place. It's alarming because at the moment, the fear is outweighing the benefits, and that's partially because the benefits have been so unequally distributed that lots of people don't feel better off. They feel threatened, angry and despairing.
I know that for me personally, a lot of people feel threatened by me and my stance. I'm an Indian woman, I'm a woman of colour, I have a turban, I have a beard, and I think because my voice is so powerful, people forget that I have this image [and] still feel threatened by it. I'm very outspoken, I speak about anything and everything and I don't shy away.
Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
I guess there's something about you don't know why you're attracted to a character, but you're attracted to them enough to want to - it's like when a song comes on, and you feel like dancing. You don't know why; you just want to dance. It's hard to analyze that feeling, and if you do, you get far away from it.
You do have this circumstance in Karachi that because people know things are changing, the stakes are higher. Everyone is thinking, "My home is threatened, my job is threatened, my identity is threatened, my world is threatened." And that creates a very particular sort of climate, that is linked.
I realized that what I was saying was threatening, somehow, to the editors of women's magazines. That it threatened the very world they were trying to paint, what I then called the "feminine mystique."
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