A Quote by Amanda Palmer

One thing about being a performer is you're not just doing an intellectual job behind a desk; you're out there performing and being looked at, being assessed for really superficial stuff.
There's something about being cerebral, intellectual, and yet emotionally repressed [in being villain]. If you think someone's doing this [bad] stuff and they're in complete control, that's more scary than if they're out of control.
I get more out of life just being myself, by just being a human being. Not by being a rock star, not by being whatever. Sometimes I act like a jerk, but I think people respect me for being myself. That's the ultimate thing about the Smashing Pumpkins.
I've been doing my job for a long time and I never really thought about being an actress or being anything like that. I was always a bit scared as well because of the thing about models becoming an actress and all that. I just never really took it seriously.
I think the process of being hopeful, being really opportunity oriented, not just in rhetoric but in action, showing that no one get's left behind, not just by talking about it but by doing it, I think is really a key [to political success].
My favorite thing about being famous... it's not really as big of a deal as everybody says it is. Being on the road is tough, doing interviews, and all the stuff. It's still pretty tough.
I still get excited performing live. When you see the immediate reaction from a crowd, its like being a theater performer, its something you can't get from being a writer or being an ad man ... its almost ritualistic.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
People think being Elvira is a lot of fun - and it is - but I was doing a lot more bizarre stuff before then, just being a dancer and a showgirl and traveling around Italy in a band and working for Playboy Club, and later being a model and meeting a million and one people and being kind of a groupie... It's all been really interesting.
The toughest thing for me was growing up and being stared at and being looked at and being talked about in that particular way. Other than that it was a good childhood.
I'm trying to focus on my job. I don't think that being famous is a job. My job is composing, singing, performing, but not being a star.
I don't think I could ever have a desk job, so I get to be mobile. I'm on set. I get to walk around kind of doing my own thing, being independent - it's just a really good vibe. Everyone on a film set is very happy, and they all love their jobs, so it's a cool environment to be a part of.
It wasn't so much figuring out my voice comedically, because that was always pretty clear. It was more about performing and being a good, watchable performer.
I'm not interested in the fact that a writer may label himself as being intellectual or anti-intellectual. l'm really interested in the stuff he's turning out.
I think in coaching you just expect it to end at some point by being let go or by being fired. It's just kind of the nature of the business, so I've never really focused on that. I'm just trying to focus on doing the job as well as I can.
The thing I loved about my old punk band, it wasn't really about being vulnerable, it was about shouting and being fun and being aggressively political, which I thought was really cool and really fit that energy.
In 'UnREAL', for me, just being so openly feminist, just being so overtly, like, 'This show is about women who are not necessarily likable, doing a job that is despicable, and we are not going to be afraid of that.'
This site uses cookies to ensure you get the best experience. More info...
Got it!