A Quote by Amanda Peet

I like playwriting because it's rooted in a single location with actors standing talking to each other. — © Amanda Peet
I like playwriting because it's rooted in a single location with actors standing talking to each other.
I don't feel like I'm standing in a position where I have some right above other people to say what I think. We should all be talking to each other about what we think is important - whether we're in politics, or whether we're checking out at a grocery store. We shouldn't put walls up between each other.
One of the reasons that the African American actors wanted to be a part of the show was because these people are talking to each other the way that African American people talk to each other, and they said that they didn't see that on TV.
Even if someone doesn't look like you or you don't know people like this in your real life, you get to know them and you get to see their humanity and you get to empathize with them. Our hope is that through empathy that can spark change. We hope people start talking to each other and our show sparks conversation because we need to start talking to each other, not at each other.
I don't like the theatre. I like plays in which the audience is addressed by the actors. I don't like seeing people talking to each other on stage as if there isn't an audience.
People who are following their dreams inspire me. I train at this relatively new gym in West Hollywood called Training Mate. It's owned by a former Australian football player named Luke Milton. The classes are mostly taught by other Australians that are just like Luke: fit, funny, cute, and approachable. Now they're talking about opening another location. He will open another location and be successful because he's following his dream. People like him inspire me because they make me think I can do it too.
Actors don't listen to each other. You're so obsessed with what you're saying or doing that the other person could be talking in Swahili and you wouldn't know.
We spend too much time talking about each other, at each other, past each other, and not enough time talking with each other.
It's more enjoyable to shoot in a studio on a single location with two actors... if they are good.
Men standing in opposite hemispheres will converse and deride each other and embrace each other, and understand each other's language.
If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.
I loved Reece Shearsmith and Steve Pemberton's 'Inside No 9.' The way that they constrained each episode to a single location, then tasked themselves with including completely new characters every week, within a single half-hour.
We work in this cave, and we speak to each other sort of subconsciously and with like, weird cues and tangential brother speak, but it really comes down to if you are the person who is moving amongst the actors and talking to people more, the other one can have a little more time to really watch.
Some actors like encouragement. Some actors prefer to have pressure. And sometimes, for some actors, its better to give your comment by silence, because they are so skillful, so gifted, that they understand without talking too much.
To be honest with you, there's nothing that bores me more than sitting around with a bunch of actors talking shop. I love actors and I've got friends that are actors. They're interesting people. But for some reason, usually when it comes round to talking shop, there's a part of me that doesn't like it.
The Dutch film industry is a pretty small community, so within Holland, I think most actors know each other and have worked with each other. The actors that are working internationally - that's a small number.
We've always had each other's backs in and out of competition. We support each other the most because we're the only ones that know what it's like to go through what we do, and so we can't be more thankful for each other. We're like sisters.
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