A Quote by Amanda Peet
My writing philosophy is throwing spaghetti against the wall. That's how I take pictures, too. If I take 100, surely one will be good.
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Germany was a parliamentary democracy with many, many humane and decent people who kept writing in their journals - I've read these journals, these memoirs - "Surely our leaders will stop this nonsense. Surely someone will take on these thugs. Surely the pendulum will swing back." Everyone was sitting at home going, "Well, they haven't come for me. This is crazy, but surely someone's going to take care of it." We all have to take care of it.
We take pictures because we can't accept that everything passes, we can't accept that the repetition of a moment is an impossibility. We wage a monotonous war against our own impending deaths, against time that turns children into that other, lesser species: adults. We take pictures because we know we will forget. We will forget the week, the day, the hour. We will forget when we were happiest. We take pictures out of pride, a desire to have the best of ourselve preserved. We fear that we will die and others will not know we lived.
It is easy to take good pictures, difficult to take very good pictures, and almost impossible to take
great pictures.
It's good that everyone has an opportunity to take pictures, the chance to be a photographer. Some are good, too. But the bad thing is that it's very, very difficult to take a great picture. Everyone can take a good picture - even a child - but it's hard to make a great one.
You have to take a lot of bad pictures. Dont' be afraid to take bad pictures... You have to take a lot of bad pictures in order to know when you've got a good one.
I think the philosophy will continue to be what it always was; which was, let's keep throwing a bunch of things at the wall, and see what sticks.
My thing with fans is, it's always about being really good to them and taking the time to take every picture. If there are 300 people, you should take 300 pictures - you shouldn't take 250 because then fifty people will go home sad. Why would you do that?
Accept that all of us can be hurt, that all of us can and surely will at times fail. Other vulnerabilities, like being embarrassed or risking love, can be terrifying, too. I think we should follow a simple rule: if we can take the worst, take the risk.
For a moment there I convinced myself I had my back against a wall, and suddenly the only wall I find my back against is that of a 10 by 10 writing shack in Glendale, where the summer days average between 90 and 100 and each song can be quantified in the sweat it took to write it. There is no ac in hell, and sometimes you've got to get down to get up. The train is gaining speed I should think.
All punk music is is rebellion, going against the grain. It takes different forms. Sometimes it's a band throwing their instruments around or making really violent and noisy sounds, but it doesn't have to take that sonic form. It can take more of an energy.
Spaghetti... I can't eat spaghetti, there's too many of them. No matter how hungry I am, 1,000 of something is too many. I'll have 1,000 pieces of noodles.
Like a river flows surely to the sea/Darling so it goes/Some things are meant to be/Take my hand, take my whole life too/For I can't help falling in love with you.
I had an agent. When [Edward] Steichen was doing "The Family of Man", I went up to the office one day. I think Wayne Miller, who assisted Steichen with "The Family of Man," was up there and pulled out a bunch of pictures. So I got a message: "Take these pictures, call Steichen, make an appointment and take these pictures up there." And that's how I met him.
If I come across a good project, I will surely take it up.
I'm pretty solitary when I take pictures. Even when I take pictures of people, I just go about my own way of doing it.
And so my hope for you, good boy, as you grow taller every day, is that you will learn to take good care of yourself, and you will learn to take good care of others-and, someday, you'll see how those two things are exactly the same.
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