Most actors and actresses are performative as people. It goes part and parcel with the profession and New York actors who are out of work, or actors anywhere out of work, are manic because you never know when the next job is going to come.
I would say take any work you can get. Don't pass on something if it's a commercial. Take it. Work really does lead to other work. Especially if you're just starting out, work begets work.
You never know where your next job is going to lead you, down the road. One single episode that might seem so far removed from what you might end up doing in the future might spark somebody's memory bank. Just one little line you said or a look you gave might be what they want to pursue with a character.
As actors, we have the opportunity to work with many directors. Directors only work with themselves and other actors. They never know what it is like to work with another director. So that relationship that one has with a director is entirely always the king.
What works for me might not work for the next guy. You have to work within yourself and know what's going to provide you with the amount of energy you need to do your job.
The leader's job is to lead and protect. Not have all the answers, not know everything to do, not to micromanage and tell people what to do or how to do it. A leader's job is to lead and protect. That's their job, and it's the people within the organization - their job is to get the work done.
You never know why or when the next job is coming. I actually like that. It's kind of exciting. I don't punch in. I don't have a 9 to 5 job. When you do work you're lucky enough to go to interesting places and meet mostly interesting and talented people, so it's really a great job if you can work.
Unlike other young actors I've worked with who will remain nameless, Zoey Deutch and Lucy Fry would never go out partying after work, but would immediately hunker down to start working on the reams of labyrinthine dialogue they had to navigate for the next day's work.
Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.
I always tell actors, "Don't think of it as unemployment when you don't have a job. You have to think of it as being in preparation for your next job." You have to be always preparing for success.
Don't do a hard sell or try to tell the agent that you're going to be a bestseller or the next John Grisham. This goes down very badly. If your work is good, then they are skilled enough to know this within a few pages.
Every year is different. I'm not getting any younger trying to keep it going. It's always a challenge. It's like a boxer going into a ring. You never can tell what's going to work and what's not going to work until you're in action and everything is going on around you. It's very intense and always a challenge and always a thrill.
I always know I'm going to lose my job. It's either going to be canceled next week or next year or nine years from now, but I always know my job is going to go.
When I turn down work, I feel guilty, I feel terrible; I don't know where the next job is going to come from.
As soon as you hear a fighter say, "I'm working smarter, not harder," you always want to bet against that guy. That mentality does not work. You have to work hard. And sometimes that means you are going to work too hard. You are going to decline. You are going to tear down your body and your muscle fibers. You are going to get sick.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.