A Quote by Amanda Schull
Jen Murray, my stunt person, is totally comfortable getting thrown into a cabinet and onto the ground or getting hit by a car. I, on the other hand, am not. Nor would it look great on film, so she does it.
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And the general shot my sister. I could not look at her, but I remember the sound of when she hit the ground. I hear that sound when things hit the ground still. Anything.' If I could, I would make it so nothing ever hit the ground again.
You don't understand, you fool' says Yegor, looking dreamily up at the sky. 'You've never understood what kind of person I am, nor will you in a million years... You just think I'm a mad person who has thrown his life away... Once the free spirit has taken hold of a man, there's no way of getting it out of him.
I'm not scared of getting hurt. I'm not scared of, pretty much, anything. If you live your life scared, what's the fun in living it? If you were scared of getting hit by a car, would you still cross the street?
I think we're getting to the point where everyone's getting fat and everyone's getting allergic, or claims to be allergic to something and people can't walk from their front door to their car without a bottle of water in their hand because they have to hydrate every three and half steps.
For a lot of explosions and stuff like that [in Transformers] you're harnessed to something getting swung in the air or dragged onto something or thrown onto something.
Getting older doesn't help you in the fact that you might have covered some of this ground before. So you're listening to a song that you know is a hit, but it just can't be a hit for you, it's gonna be a hit for somebody else. That's tough.
"The Prince Of Tides" is a lot about my mother - what my mother would do after Dad would hit one of the kids or hit two of the kids, hit all the kids, hit her, she would usually get in the car. We'd drive out. She would say, I'm going to divorce him. I'm never going back.
It might seem that way, but getting hit with a bare knuckle is not as raw as getting hit with a bare knee, or getting kicked with a shin to your head, which I have been a few times. In that sense, it's nothing.
If the shot is going to be epic, if it's going to be awesome, and to make it epic and awesome you have to hit the ground and possibly hurt yourself, I choose to hit the ground and possibly hurt myself. Because in my silly stunt man mind, an epic shot that lives forever on film, I'll get over it in a couple of months!
I am looking neither backward nor ahead. I am not thinking of what Salman has done earlier and what is the competition for my film. I am only focusing on getting it right in 'Kick.'
My biggest false steps have actually been when I tried to do very different projects. I found I was getting people saying, 'Why does Whit Stillman think he can do a film about blacks in early '60s Jamaica? Or the Chinese and the cultural revolution?' Those were the two biggest failures I had getting off the ground.
Getting ready to wrestle is like getting ready for a car crash. Getting ready to work with Brock Lesnar is like knowing you're going to get hit by a bus and the bus is going to back over you. If I'm going to work 'WrestleMania,' 16 weeks out I have to start training like I'm Mayweather getting ready for a fight.
It's this weird binary where I'm getting media images and narratives thrown at me all the time through something I hold in my hand, and that's never happened to other generations. But also with this little object in my hand, I have the ability to document police brutality, or post about the Syrian conflict on Twitter.
Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.
Mel: Does Bret's girlfriend look anything like me? Murray: A little, around the eyes. Mel: Oh yeah? Big eyes huh? Murray: Well... she's got eyes.
Having been a stunt girl for so long, a big part of my job, when being a stunt double, was to not just make the other person look as cool as they could, but also to act as support.
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