A Quote by Amanda Schull
Usually you read a script and you know somebody who knows somebody who maybe knew that person or met them once.
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Human connection is the way things work. It's like a patronage system. You know somebody, and he knows somebody, and he knows somebody, and he knows the district governor, and it's okay.
Trying to get somebody to read your script and you're a musician? That's the last person whose script you're gonna read!
You just knew you were in great hands with somebody so talented, so bright and with such depth. We both [with Ellen Page] loved the script and the book [Into the Forest], which I read after I read the script, and highlighted it and dog-eared it to craziness.
Somebody's girlfriend," she said. "Somebody's sister, somebody's daughter. All these things I never knew I was before, and I still don't really know what I am.
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
When I was in casting, we would bring somebody in, have them read their lines, maybe give them a few pointers, and hire them, and then once they go to the set and you have a director who's directing them, that performance may not be anywhere near what you had in the audition, either good or bad.
When you meet somebody and you have an instant connection - why is that? Maybe you've met before? Maybe you've met in another life? Anything's possible.
It's like people you see sometimes, and you can't imagine what it would be like to be that person, whether it's somebody in a wheelchair or somebody who can't talk. Only, I know that I'm that person to other people, maybe to every single person in that whole auditorium.
To me, though, I'm just me. An ordinary kid.
You can meet somebody at a club. You can meet somebody at a restaurant. But maybe that person is not on the same page. Maybe that person is like, 'I'm starting out, I don't want to get married now.' Or, 'I don't want to have kids.'
I always figure, you come to a party, you gotta know somebody. And somebody leads to another person and leads to somebody else, somebody else. That's one of things that I really enjoy doing.
Somebody has to give a wakeup call to our coaching world to ask them real questions and show them that if you have kids, then you know there is no way you can talk to somebody else like that, because that's somebody's child.
A lot of times, when I met somebody and took them out on a date, I obviously didn't tell them my background, because I didn't think I'd see them but once or twice.
People who don't know me have opinions about me. That's the part that's very hurtful. Because how do you form an opinion about somebody if you've never met them or spent any time with them? So it's all based upon hearsay or things that they've read.
The real Mike is somebody who is a positive person, a generous person. A loyal person. Somebody that's gonna help you if you call me up and say, 'Mike, I got a flat tire.' I'm there, you know?
I read the script [Havenhurst] and I went to bed, but I woke up because somebody had knocked on my door. Or at least it seemed like somebody knocked on my door at, like, 4 in the morning.
I don't know, maybe I made it up. Anyway, it's an arbo-tree-ist, somebody who knows about trees.
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