A Quote by Amanda Schull

Nicholas Hytner, who directed Center Stage, is a huge ballet fan. He was completely open, as was Bruce Beresford, to get our perspective. "No, we wouldn't do this. Yes, we would do that. That's not realistic." So, I feel like Center Stage did well in that respect.
Robinson did not merely play at center stage. He was center stage; and wherever he walked, center stage moved with him.
I was an apprentice at the San Francisco Ballet, and a casting director came to one of our rehearsals to scout talent for 'Center Stage.' I landed the role of Jodie.
From time to time it's fun to close our eyes, and in that dark say to ourselves, 'I am the sorcerer, and when I open my eyes I shall see a world that I have created, and for which I and only I am completely responsible.' Slowly then, eyelids open like curtains lifting stage-center. And sure enough, there's our world, just the way we've built it.
I'm a centrist. There is a lot going on socially that I don't like, but I feel that in a democracy you work from the center, not because I like the center - I'm a marginalized person politically - but because the center is where things get done.
I never dreamed that I would hear 10,000 people screaming when I stepped out onto a stage. Well, that's not entirely true. I dreamed about it but in a performing-on-the-stage-at-Staples-Center-or-Madison-Square-Garden context. But never in a I'm-in-a-movie-that-hasn't-even-come-out-yet one.
Yes, all fundamentalists feel that in a secular society, God has been relegated to the margin, to the periphery and they are all in different ways seeking to drag him out of that peripheral position, back to center stage.
I feel like I'm trying to change basketball; being a center, being able to play both sides of the ball and being able to pass as well as I can, that's a difference-maker on a team, especially at the center spot, so it's respect at all levels.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
After I finished 'Center Stage,' I went back to San Francisco, and I danced for seven seasons with the San Francisco Ballet.
Women are taking the main stage. They are center stage, and they're setting all these records and making history, and I want I be a part of that. I've worked so hard to be a part of that.
I think the people like myself who are in the center ground of politics and who think that center left and center right can cooperate and work together. Who don't like this sort of insurgent populism because we think it's not really going to deliver for the people, I think there's a big responsibility on us in the center to get our act together. And to work out radical but serious solutions to the problems people face.
Standing center stage in the six foot circle of wood cut from the stage of the Ryman is something I never take for granted. The history and legacy of that circle is awe-inspiring.
The power chakra is the navel center. The center of balance is the heart chakra; it's the center of our being. The third eye is the center of wisdom, the Agni chakra.
I'm the same on stage as I am off stage. A lot of people who I admire - Bruce Springsteen, Jackson Browne - are not that different either. You hope that if you met them that they'd be as nice and well-rounded as they appear.
When you go on a stage, before you go on a stage you're really scared and you're really frightened. You don't know what to do. "Why did I say yes to this?" But once you're on the stage you think, "Okay."
'Center Stage' reached people that, as live performers, we would have never had the opportunity to reach.
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