A Quote by Amanda Seyfried

I have only really gotten by with playing versions of myself as most young actors do. — © Amanda Seyfried
I have only really gotten by with playing versions of myself as most young actors do.
Frankly, I think if I won the lottery and won a billion dollars, I'd still want to continue doing this job. I love expressing myself through it. I've gotten to really love acting. And I've gotten to know Big Bird from the inside out so thoroughly it's like playing my kid. I can't imagine deliberately stopping.
You're never really playing yourself. You're always acting. It's an illusion that you're really playing yourself. The only time I'm playing myself is when I'm at home!
Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.
Working with [Kyle Chandler] in the scene was like playing tennis. You work with really talented actors, I think they make other actors look really, really good.
I'm not sure if I'm most happy when I'm comfortable and content or when I'm pushing myself to the limits. There are such different versions of happy, and I really appreciate both.
I just really committed to trying to never repeat myself. I'd seen actors do that on films, and I was, like, "I wanna try that once!" Ultimately, I'm much more in the school of getting one or two versions that feel right, as opposed to going all over the map. But it's fun to exercise that once in awhile.
The only good thing about fame that I've gotten is I've gotten out of a couple of speeding tickets. I've gotten into a restaurant when I didn't have a suit and tie on. That's really about it.
Even back then I really didn't enjoy playing chord changes, riffs, and solos when I was young. The only thing I enjoyed playing were these Robert Fripp-type double-picked loops that no one wanted to hear, including me; I just liked playing them.
I was trained to serve the writer and director as an actor before I serve myself. Not to say that's gotten in my way, but that's a different way of working than most American actors work.
I was the shiest person you could think of. I didn't really speak. I was an only child, so most of my life I spent in my bedroom playing with toys by myself, speaking through them.
As I've grown as a person and gotten to know myself more - the question of how someone becomes who they become has gotten really interesting to me.
The only time I think I've ever gotten sick of playing Guns and Roses songs really was during - after having played them in Guns and Roses, and then in Snakepit, and then playing 'It's So Easy' and 'Brownstone' in Velvet Revolver.
We haven't even gotten a start date but we'll see what happens with that and that will be fun. I've gotten a couple of other things but I'm not really committing myself to anything yet.
A lot of young actors have the idea that, "I've got to do this right. There's a right way to do this." But there's no right or wrong. There's only good and bad. And "bad" usually happens when you're trying too hard to do it right. There's a very broad spectrum of things that can inhibit you. The most important thing for actors - and not just actors, but everybody - is to feel loose enough to create what you want to create, and be free to try anything. To have choices.
What's interesting is, most of the people who are fans of the The Wire who black people or cops... most of the people in the industry are the crew: writers, actors and directors. And so they understand what it is that we do, so they think, "Wow, what a incredible group of amazing actors." It's funny, I think there are a couple of reasons why we have never gotten any nomination for anything except for writing.
Life has only gotten better personally for me as I've gotten older. I mean, being young was such a gross waste of time. I was just such a miserable, miserable person.
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