A Quote by Amanda Seyfried

There are a lot of scripts that you can like, but rarely are there directors attached when you're in development with something and that's stressful. — © Amanda Seyfried
There are a lot of scripts that you can like, but rarely are there directors attached when you're in development with something and that's stressful.
The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person to tell this story. I have a pretty high bar for myself. There's a lot of scripts that I read and think, "Oh, this is great, but I think there are 50 other directors who could bring this to the cinema."
I was meeting a lot of directors and reading scripts, and I was like, "Well, I'd love to play this part," but I couldn't.
I can say yes to some directors without even reading a script. But the first-time directors I've worked with, the scripts have not been perfect, but they had something that I liked.
I've read a hundred fantastic scripts that didn't pan out as films, and I completely put that on the directors. I've also read some mediocre scripts that have ended up being amazing, and I credit that to the directors. They're the storytellers. If you don't have a good storyteller, you really have nothing.
I'm trying to work only with established, respected directors. I took a lot of bad scripts and worked for a lot of lazy directors, and it was discouraging to go to the screenings and see that the director had added nothing, the editor had added nothing, there was nothing to see.
I worked in script development, many years ago, and read a lot of scripts. Between that and the scripts I've read as an actor, and I'm a writer as well, I think I have a pretty good sense about whether the bones of a story are there and whether the structure is intact.
It can be stressful if I wrote something that I realize doesn't sound right. I can write something at home and be like, "Great. Nailed it." Then I'm like, "No one should have to say those words. That doesn't make any sense." It's a lot of scrambling.
Transcendence or detachment, leaving the body, pure love, lack of jealousy-that's the vision we are given in our culture, generally, when we think of the highest thing. . . . Another way to look at it is that the aim of the person is not to be detached, but to be more attached-to be attached to working; to be attached to making chairs or something that helps everyone; to be attached to beauty; to be attached to music.
It depends on the scripts and the character and just everybody involved, the other actors and directors. It's just a gut feeling when you find something, you're like, 'Yes, I want to sink my teeth into that.'
A lot of times passion projects or films are difficult to make because they don't have proven directors attached to them.
I'm just trying to choose interesting, quirky projects or things with interesting directors or just movies that have a lot of people I like attached to them so I know I'm going to have a good time.
I think we'd like to direct. Not so much because we'd like to be directors... we'd like to see how one of our scripts would do if it didn't get changed.
I've talked to a lot of directors who direct solo like most directors. And they're always like, 'Oh, man I wish I had somebody I could direct with because it's a lot of work.'
I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.
I don't think a lot of the times Foxygen songs require much editing. Our band rarely records a song and go, "God that sucked. We shouldn't show that to people." We're pretty confident in the way we make music, that rarely falters. We've just been doing it for so long, it's like a science between us. There's not a lot of times where we cut something or decide to not record it.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
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