A Quote by Amanda Shires

I don't really have anything nice to say about pop-country radio. — © Amanda Shires
I don't really have anything nice to say about pop-country radio.
People don't listen to one radio station. On iTunes you can mix different worlds and bring country and pop and folk and live music together with a mass audience. I could have sung 'Easy' in a country way but I just sang it how I sing. I think it's a really nice blend.
It's nice to have writers write nice things about you and guys on radio and TV say nice things about you, but the guy who's in the locker next to you is the one you play the game for.
Ironically, the success I've experienced at country radio has left me ostracized from pop and other formats of radio.
I missed the country sounds on the radio. I missed the Deana Carters and the old Faith Hill songs that are more richly country and not so highly pop. So I really wanted that to be on my first album.
A few people have asked me about the women agenda on country radio. I can only speak for myself on this, and all I have to say is that I'm very grateful, and thankful, that country radio has been so automatically accepting, and supportive, of me and my music.
I do pop, so pop is very broad. It could be anything from the Weeknd to Taylor Swift to Beyonce to whatever is on the radio, basically.
To be honest with you, I'm not sure what a pop tune is. I'm sure if I hear it on the radio, I'd say that's pop or this or that. But, really, what I pay attention to the most is just music that moves me. It's all at least a root-type music instead of a formula.
In elementary school, we all say, 'If you don't have anything nice to say, then don't say anything at all.' In high school, we should say, 'If you don't have anything nice to say, shut your mouth.' So that's what I'm telling high schools all around the world.
There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio. You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard, like Chuck D said.
I had always dreamed of starting off in pop radio and crossing into country. I used to sing country; that was my genre when I was a kid.
Nirvana was pop. You can have distorted guitars and people say it's alternative, but you can't break out of pop music's constructs and still get extensive radio play and media coverage.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
If you don't have anything nice to say, don't say it at all. And if you do have to say it, make it really funny so I can screenshot it and save it for later.
In Denver, all we really had was pop radio, so I grew up on all that late '70s pop stuff - Billy Joel, James Taylor, Lionel Richie, Elton John, Steve Miller and Toto. Great love songs and really hooky and melodic music - I have all of that stuff in my heart.
The biggest crime in England is to rise above your station. It's fine to be a pop star. 'Oh, it's great, lots of fun, aren't they sweet, these pop stars! But to think you have anything to say about how the world should work? What arrogance!'
I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.
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