A Quote by Amanda Shires
In the past, I was free to write in quiet and in the space wherever my desk was at. I could leave my instruments out. In the past, my writing was super private; I never liked showing my work at its earliest stages.
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Faithfulness to the past can be a kind of death above ground. Writing of the past is a resurrection; the past then lives in your words and you are free.
The past did affect the present and the future, in ways you could see and a million ones you couldn't. Time wasn't a thing you could divide easily; there was no defined middle or beginning or end. I could pretend to leave the past behind, but it would not leave me.
Writing the past is never a neutral act. Writing always asks the past to justify itself, to give its reasons... provided we can live with the reasons. What we want is a narrative, not a log; a tale, not a trial. This is why most people write memoirs using the conventions not of history, but of fiction.
How simple the writing of literature would be if it were only necessary to write in another way what has been well written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.
I'm not inspired by space in that kind of futuristic sense, but I've never liked retro. Of course, we always get references from the past, but that doesn't mean that the clothes have to look like the past. We need to look forward, which is why I'm fascinated by new materials, technologies, techniques, and unusual ways to use colors or textures.
You honor your writing space by recovering, if you are an addict. You honor your writing space by becoming an anxiety expert, a real pro at mindfulness and personal calming. You honor your writing space by affirming that you matter, that your writing life matters, and that your current writing project matters. You honor your writing space by entering it with this mantra: “I am ready to work.” You enter, grow quiet, and vanish into your writing.
I am not a video game guy at all. Once it got past Super Mario Bros. and past two buttons, they lost me. I was like, 'I do not have the abilities to be able to do this. It doesn't work.'
I write - so it would seem - to recapture, to preserve and return to the past, though I might just as easily be writing to forget and put that past behind me.
The past is like the hair on our head. I moved to New York when I was twelve, but you always have this feeling that wherever you come from, you physically leave it, but it doesn't leave you.
The Past -- the dark unfathomed retrospect! The teeming gulf --the sleepers and the shadows! The past! the infinite greatness of the past! For what is the present after all but a growth out of the past?
There have been times, lately, when I dearly wished that I could change the past. Well, I can’t, but I can change the present, so that when it becomes the past it will turn out to be a past worth having.
As a memoirist, I may claim to write the easier-to-remember things, but I could also just be writing to sweep them away. 'Don't bother me about my past,' I'll say, 'It's out in paperback now.'
The past is a trail you leave behind, much like the wake of a speedboat. That is, it's a vanishing trail temporarily showing you where you were. The wake of a boat doesn't affect it's course-obviously it can't since it appears behind the boat. So consider this image when you exclaim that your past is the reason you aren't moving forward.
I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.
After all, the past is our only real guide to the future, and historical analogies are instruments for distilling and organizing the past and converting it to a map by which we can navigate.
But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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