A Quote by Amandla Stenberg

I've read the 'Mortal Instruments' series; I was obsessed with those. — © Amandla Stenberg
I've read the 'Mortal Instruments' series; I was obsessed with those.
I'm a huge fan of the series of books by Cassandra Clare, 'The Mortal Instruments.'
'The Mortal Instruments' is based on a series of novels by Cassandra Clare; it has been a New York Times bestseller, so it is pretty popular.
I'm a huge fan of the series of books by Cassandra Clare, The Mortal Instruments. I'm a fan myself, so to be cast as the lead heroine is completely incredible.
I've read the whole 'Divergent' series, the 'Pretty' series. I just read it because I find this stuff interesting to read.
The fans reacted very positively to me being cast [The Mortal Instruments] which, as a Twilight or Harry Potter franchise, when you read a book and you have someone in your mind or you have a vision and then they're cast in real life, it can go either way. So I was very, very honored and happy that they were excited.
It's a choice - there are two different sorts of photographer: those obsessed with the technicalities and those obsessed by the subject.
I've recently rediscovered Anthony Trollope. I used to read him back in college, and a friend turned me on to a whole new series of his work, 'The Palliser Series.' It's a series of seven or eight books.
My husband and I like to reminisce about how, when we were 9, we read straight through L. Frank Baum's 'Oz' series, books filled with wizards and witches. And you know what those subversive tales taught us? That we loved to read!
I was obsessed with the scientific instruments people were building and all the weird experiments they were doing. I did actually wind up working in some of that, but there were whole sections I'd written about these instruments that ultimately had to be abandoned when I realized that the book really was about Margaret Cavendish. I couldn't justify using all of them.
Logic is a large drawer, containing some useful instruments, and many more that are superfluous. A wise man will look into it for two purposes, to avail himself of those instruments that are really useful, and to admire the ingenuity with which those that are not so, are assorted and arranged.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
When I was a kid, during those days, you couldn't use instruments. It was against the pastor's religion, so all the singers would make these instruments with their voices. It was just unbelievable. I couldn't explain it.
I never get obsessed with ratings, partly because the Channel series 'Utopia,' which I did, had small ratings but a passionate following, which allowed a second series.
A reader does not suddenly comprehend what is being read or studied, in a snap, miraculously. Comprehension needs to be worked forged, by those who read and study; as subjects of the action, they must seek to employ appropriate instruments in order to carry out the task. For this very reason, reading and studying form a challenging task, one requiring patience and perseverance.
I like big shows, a lot of volume and a lot of energy. I love electric instruments. But I do love mixing those with bluegrass instruments and cranking those up, too, with a little bit of that rock energy.
I made music on Seven the same way as on the other albums. I only used acoustic instruments... I'm looking for instruments that have vocal sounds, forgotten instruments like the guimbri... The first and second albums were about the voice, what came before. This album is about introducing those sounds into modern, Western life.
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