A Quote by Amandla Stenberg

I think there's this great disconnect between youth culture and politics, which is a product of how our capitalist system works. — © Amandla Stenberg
I think there's this great disconnect between youth culture and politics, which is a product of how our capitalist system works.
I think there's this great disconnect between youth culture and politics, which is a product of how our capitalist system works. I mean, a lot of the kids I know are really politically involved. They really care about politics. I think we're going to have an incredible impact on how politics end up shaking this country.
People see rock and roll as, as youth culture, and when youth culture becomes monopolised by big business, what are the youth to do? Do you, do you have any idea? I think we should destroy the bogus capitalist process that is destroying youth culture.
The status quo is a product of our culture or our culture is a product of the status quo - I'm sure which is the effect and which is the product - there is probably a feedback loop there that is mutually reinforcing. But we have a culture that says "Hey, look around. This place called Earth was created for you and you can do anything you want with it."
Often, the disconnect between the marketing hype around a new product and what the product actually does is astounding.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of our black people culture, and it's the name of our identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls. To me, that's the biggest problem.
I think there is sort of a disconnect in this country between people that served in the military, understand the culture of it and what it is, and the people who only know what they see on the news and read - and they don't really get a feel for the culture.
Because of my politics, I don't necessarily think that the independent capitalist is that much better than the multinational capitalist; it's just that the independent capitalist hasn't grown as big yet.
Our youth are not failing the system; the system is failing our youth. Ironically, the very youth who are being treated the worst are the young people who are going to lead us out of this nightmare.
As a gay man, I think the role of culture is central to how you change politics - culture is politics.
Thanks is part to our education system, we tend to think that we're smarter than the stupid guys in funny wigs who came before us. But that's because we are mistaking technology, progress, and access to information for intelligence. We think that because we know how to use iPhones (but not build them), browse the Internet (but not understand how it works), and use Google (but not really know anything), our educational system is working just great. By the same token, we think that those dumb aristocrats who used horses to get around and didn't have electricity were neanderthals.
Politics is just a function of business now, just a tributary of the great entrepreneurial capitalist system.
In comparison to the U.S. health care system, the German system is clearly better, because the German health care system works for everyone who needs care, ... costs little money, and it's not a system about which you have to worry all the time. I think that for us the risk is that the private system undermines the solidarity principle. If that is fixed and we concentrate a little bit on better competition and more research, I think the German health care system is a nice third way between a for-profit system on the one hand and, let's say, a single-payer system on the other hand.
The Soviet system is how everything here works. It's very difficult to break the system. The system is big and inflexible, uneffective, and also corrupt. And that is our main goal: to change the system, to break the system, to make it modern.
I think that's Glassjaw's identity - the disconnect between what we think we are and what our fans think we're supposed to be. Whenever I read reviews of our stuff, I sense that.
As the owner, you have to look into the mind of the customer and see and feel how their relationship to your product works - not just that the product works.
Growing up in the '80s, questions of style and music and youth culture all seemed inherently political - like gay rights issues, dressing up, wearing makeup, arms protests. A lot of attitude and opinions were expressed through clothes, and they all were meaningful. So in that way, I was so excited about the connection between our private lives and politics - who I kiss, how I like to dance.
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