A Quote by Amar Bose

The excitement level for me working on projects is really not a bit different from when I was 26. — © Amar Bose
The excitement level for me working on projects is really not a bit different from when I was 26.
I'm so happy in the projects that I'm able to make, to be involved in projects like this. This isn't always where it was at for me, I started working when I was a kid. I'm just a different person now, I'm 30. I started working when I was 11 and it's a different ballgame.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
I got involved in lots of different areas round about 2007, 2008. Just working with lots of different people and stretching myself in different ways. I was working on art projects and working with other writers, just doing bits and pieces, trying to keep busy.
With 'Submarin', Richard [Ayoade] gave us a lot of freedom and he really helped us. He's so amazing. It really changed things for me and brought my love for filming and working with people to a completely different level. It really was a wonderful experience.
I realise I have to adapt my game a bit at international level; that the combativeness in the Premier League is a little bit different at international level.
Now, as a 29-year-old, you're a little bit different than a 26-year-old. But I actually felt really comfortable in Boston. I felt that I was one of the best players in the league at the time. I thought Boston was going to be the home for me for the rest of my career.
I'm drawn as well to the lower echelons of things because it struck me a long time ago that it didn't really matter on what level people were working on anything; it was just as important to them as the people working on what's perceived as a higher level.
As you work, the mood grows on you. There are certain images which suddenly get hold of me and I really want to do them. But it's true to say that the excitement and possibilities are in the working and obviously can only come in the working.
Dudes are coming at me every day; I'm playing different positions on the defensive end. I'm really working on that, because that's the next level. In the league, everybody can dribble.
It's wonderful to be able to have such wildly different projects in your body of work. They don't feel different to me as I'm working on them. It feels like they all share this element of subversiveness and finding the joy in subversiveness.
The projects I'm working on are all diverse, but each represents a different passion for me. I'm constantly looking to stretch myself.
[Working with survivors] it's just a whole different level of concern and that is something that was categorically different working on this film than any other project we had done.
It's true. We're really working hard to make Incline Lake a reality, but that doesn't mean that we're not focused on other projects to improve the basin - sometimes big projects.
It makes me feel like working non-stop: at least, on sets, the level of security gives me a bit of privacy. It's a relief.
It's essential for me to be working on a nonfiction sort of research project simultaneous with multiple projects that are in different realms of art practice or not.
Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.
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