A Quote by Amari Cooper
Anytime that anyone can create some explosive plays, get first downs, we're going to have more plays on offense.
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It's always the same when you don't get enough snaps. If we can get it going, stay on the field, the beauty of the offense is they'll all get involved in it. You've got to have drives, you've got to make first downs. You can't get players involved if you only have three plays and out. That's not real good.
Anytime I get the opportunity to get the ball, I just want to make good plays and help my team win the game and just create big plays.
I know I can get to the basket whenever I want, but I've got to be able to create some plays, like easy plays.
A lot of quarterbacks have big arms and can make all the throws, but the most important thing is knowledge of the game, controlling the offense and, more than anything, limiting mistakes. Knowing what good plays to get your team into at the line of scrimmage and what bad plays to get out of.
For me, it's about making the winning plays, making the right plays, making the basketball plays and being aggressive whether it's on defense or offense.
My family is all musicians - my dad plays drums, my mom plays flute, my older brother plays drums, my little brother plays drums and piano. For some reason, I didn't get the memo, so I just play bass.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
I just want to be a guy that's reliable, make sure I take care of the football, make plays in situational downs, get in the end zone, help the offense move the ball, and win games.
This is something particular to actors, especially in plays, and in films, too - but in plays, it's like, don't get involved with anyone in the play.
I fell in love with acting, just going to a lot of plays. My parents went to a lot of plays, and I went to a lot of schools that would get plays for kids.
Ultimately, the yards really don't matter. So you have to score enough points, and I have been fortunate in my career to have been around some really good play callers, starting with Gary Kubiak and then going with Kyle Shanahan and Sean McVay, and that was always at the forefront of our minds: How can we create explosive plays?
When I was a kid I really liked the guitarist of The Doors [Robby Krieger]. He plays blues, but he plays a lot of melodic things. He plays scales that are kind of unusual, and some bent notes.
It's my job to get us in good plays, or more importantly, out of bad plays.
Criticism pretty much follows anything anyone ever does. So, anytime anyone ever writes a song, plays a show, or does whatever they do, there's going to be a certain amount of criticism because that's kind of what happens.
It's my job to get us in good plays, or more importantly, out of bad plays. That's what I did.
You run your plays, you know your plays, you study your plays, you study the other team, you do as much as you can, you go to practice, you get in shape, you do what you need to do, and then by the time you get to the game, you know your plays, but they have to feel like they're in your bones. That has to be an unconscious thing, it cannot be conscious. That is everything to me.
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