A Quote by Amartya Sen
It?s very easy to capture pictures of jubilant people in the street after the nuclear bomb. But there were no pictures of morose people sitting in their kitchens and living rooms.
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'iNkaba' has made me famous in the living rooms of the people of my country. It was almost like being famous all over again. People stop me in the street and shopping malls to take pictures.
I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.
My first wedding was 15 people at our condo. The second was maybe about a hundred people at this fabulous casino. And you know what? I have almost no pictures of the second one, because I put disposable cameras on the tables, because everyone said, "The best pictures are the most candid! The best pictures are the ones people just take!" So, I put disposable cameras on the tables, and guess what? There were so many kids there that those cameras were stomped on. I had so many pictures of the floor, of people's eyes, of someone's finger.
I think with pictures; I'm a very lousy writer. If I write without pictures, I become this pathetic chick sitting somewhere trying to be interesting.
For all the talk of my pictures being narratives or that they're about storytelling, there's really very little actually happening in the pictures. One of the few things I always tell people in my pictures is that I want less - give me something less.
I want pictures like these. The kind that can capture a moment, make it real, make it last. I need pictures that do more than reflect. I need pictures that are truth.
Taking good pictures is easy. Making very good pictures is difficult. Making great pictures is almost impossible
I like hiding somewhere, like, say on a bus street in a doorway, and taking pictures without people knowing - which sounds really creepy....You get some of the most interesting pictures because people are walking past not realising you're there.
I was after a set of pictures, so that when people looked at them they would say, ‘This is war’-that the people who were in the war would believe that I had truthfully captured what they had gone through I worked in the framework that war is horrible. I want to carry on what I have tried to do in these pictures. War is a concentrated unit in the world and these things are clearly and cleanly seen. Things like race prejudice, poverty, hatred and bigotry are sprawling things in civilian life, and not so easy to define as war.
'Five Easy Pieces,' 'Easy Rider' - those are indie pictures; those were not studio pictures. They had relationships with studio distribution, but they were indies.
The scientists who made the atomic bomb are, in my sense, people with a tragic destiny. You know, there was the US race with Nazi Germany and good evidence that the Germans were more advanced in nuclear physics, and we had to get the bomb first. But then there was the use of that dreadful weapon, or instrument of genocide, and many of the more sensitive scientists turned quickly into anti - nuclear people - and very effective ones.
Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.
When people talk to me about picture hunters, I very quietly laugh. I'm not a hunter of pictures, I'm a fisher of pictures.
It is easy to take good pictures, difficult to take very good pictures, and almost impossible to take
great pictures.
Successful publication is all about the mix. What Buzzfeed discovered was that people like cat pictures. We can pretend to be embarrassed about that as a species, but it is actually a truth. So Buzzfeed publishes a lot of cat pictures. But they use the money from cat pictures to build an exceptional newsroom that publishes stories that far fewer people want to read, but it is very important journalism.
It would be so easy to lose the plot now. It's not about achieving something for its own sake, and taking pictures for their own sake. But to make conscious decisions and choices, and it includes this constant questioning - Why am I taking pictures? Because really, the world is... it has pictures enough. I mean, there are enough pictures out there.
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