A Quote by Amber Dermont

It's a silly thing, but I like to understand people through their obsessions. — © Amber Dermont
It's a silly thing, but I like to understand people through their obsessions.
I don't understand people's obsessions.
I think that, like in my writing, reality is always a soap bubble, Silly Putty thing anyway. In the universe people are in, people put their hands through the walls, and it turns out they're living in another century entirely. I often have the feeling — and it does show up in my books — that this is all just a stage.
People see everything through the lens of their obsessions.
I like the idea of the audience absorbing the language and getting to understand it as they journey through the film. It starts off being more obscure, but you get used to it. A 'Clockwork Orange' thing. I read 'Clockwork Orange' without any vocabulary, and I got to understand the words as I went through it. I like that process. It immerses you.
I like to make people laugh. I like that kind of silly stuff. For me, it's a natural thing to want to do something like this.
There's always something else to work on and different solutions to these problems in the next thing. We each have a certain set of obsessions which we each cycle through.
Girls groups tend to break up more because sometimes it's hard for women to get along. And everybody is like, 'They're breaking up over silly stuff.' That's not the silly thing to me - to break up. The silly part is that you couldn't get back together. It's about working out, because everyone has their differences.
I'm interested in how memory and power come together in evil. These are obsessions of mine that appear throughout, like the theme of music. I know at some point or another one of my obsessions will emerge. You don't know how much I save in psychiatrist bills with this writing!
One thing that I would like to get across is that even the most horrible events do have explanations that we can understand. And it's not always comfortable for us to understand, because in order to understand, we have to see how we're not so far away from the people in question.
I think when people talk about improvising it turns into this silly thing like, "Oh there's like a hula hoop there and I'm like 'Oh what's going on here? Is this a really big ring?'"
I try to tell student writers to read as much as possible, not only literature but philosophy, theory, and to form obsessions. There's a big taboo in fiction creative writing workshops against using the self at all, and I think I try to encourage students to write the self, but to connect the self to something larger, which is to be this thinking, seeing, searching, eternally curious person, and that writing can come out of investigating and trying to understand confusion, and doubts, and obsessions.
I'm sorry,' said the shopkeeper. 'I can't understand your ridiculous accent.' 'My accent?' 'It is quite silly.' 'So you can't understand me?' 'Not a word.' 'Then how did you understand that?' 'I didn't.' ''You didn't understand what I just said?' 'That's right.' 'You understood that, though.' 'Not at all.' The American glowered.
My original perception of wrestling was not a very positive one. I didn't understand it at all, and I thought it was kind of silly and ridiculous. But as I got to know it, it was sort of like how people used to talk about musicals, to me, when I was younger.
I think obsessions happen because you're trying to understand something or some urge.
You always hear about people going through miscarriages and you never understand what one is like unless you go through it.
The most important thing is to have a good relationship with the bike... you have to understand what she wants. I think of a motorcycle as a woman, and I know that sounds silly, but it's true.
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