A Quote by Amber Heard
When only one or two percent of filmmakers are female, you can't help but have some kind of bias.
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I looked at [Geena Davis] research and see things like 21 percent of filmmakers are women, only 31 percent of speaking roles in popular films are female - you start seeing it everywhere. It's so much bigger. So you've uncovered this groundbreaking data and research.
Male filmmakers only need to tap their female selves in order to develop their female gaze as many great filmmakers have done. But why is it important to do so? Because the world has been run by aggressive males and landed itself in a fine mess.
Behind the cameras, there's a different problem, which I think is not unconscious gender bias. It's probably categorized more as conscious gender bias. Because everybody's known the numbers for decades. Nobody's stunned to hear there are very few female directors, only 4 or 7 percent. Everybody knows, but it doesn't change anything. It doesn't make people say, "Wow! We should change that." Nothing happens. It's utterly stagnant.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
There is a liberal bias. It's demonstrable. You look at some statistics. About 85 percent of the reporters who cover the White House vote Democratic, they have for a long time. There is a, particularly at the networks, at the lower levels, among the editors and the so-called infrastructure, there is a liberal bias.
When you see that 76 percent of teachers are female, I think you have to acknowledge that there's a cultural bias, and it does date back to this nineteenth century idea that teaching is a form of mothering.
The UKIP voter is 60 percent male, 40 percent female. Is 65 percent older than 55 and 35 percent younger than 55. It's not hard to work out. Some have been Labor. Some have been Tories. The most difficult thing is previous voting intention, because they're coming from across the board.
When I came to M.I.T. in 1960, only 4 percent of the students were female. Today, it's about 40 percent of undergraduates. At Lincoln Lab, they had 1,000 men and two women. But we had a very good boss, and he treated us just like everybody else.
There's still only maybe three female writers or two female writers to 10 guys in any kind of writer's room.
Female directors really do need to support each other. Too many times I've been led to believe that my direct competition was other women, as if there can be only a handful of successful female filmmakers a year. That conversation, that perception, needs to change. Women are the people who have helped me make films I love, and I want to be that kind of strength to other women.
It is all of our jobs to make sure that women's rights are human rights, and that they do have a place at the table, and we all push toward equality. The leadership numbers for women in business really haven't changed since I began as CEO. There are only 21 female CEOs at Fortune 500 companies, there is only 17 to 19 percent of female representatives in Congress, there are only eight female governors.
Seventy-five percent of women who smoke would like to quit, and yet only two to three percent quit every year... It's significant because we can help women quit smoking.
I kind of dread any kind of critical response, just because it's always painful in some way. Even if it's 80 percent good, it's the 20 percent that's bad that you remember - and that's a higher number than I usually get, 80 percent would be amazing.
My observation is that the bias against female child is deeply ingrained, especially in certain parts of India and that it's not just the poor or the uneducated who have this bias, the well-read and the well-to-do also share it.
The greatest percentage of poverty is found in female-headed households. Over 70 percent of female-headed households are poor. A large percentage of poor people are children (17 percent); fully 85 percent of black children living in poverty reside in a female-headed household.
I just felt drawn towards the kind of music that really needed a strong female presence female writers, female producers, female figures and that just kind of unfolded on its own.
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