A Quote by Amber Heard
You have to do something else by 30 years old, if you haven't found another way to explore your own identity and make something of it.
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I've been through so many different phases, partly because I moved around so much. I never found my identity based on where I was from. It was always pick up and explore something else.
As kids, we say stupid things, and because there's not a record of it, nobody is going to give you a hard time at 30 years old about something you said or did when you were 8 years old. Online, you have all these social networks that are moving to a state of persistent identity, and in turn, we're sacrificing the ability to be youthful.
There's a problem which is when you're trapped in your own identity and everything is really you, then you feel less freedom to sort of explore who you want to be. So I think it's kind of something we're stuck with as long as humans are the way we are.
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
The prime minister found something hopeful in the man's eyes and manner. The 30 or so people who run this world analyze one another that way and then make decisions of life and death for us. Scary, but true.
Remember, if you do the same act for 20, 30 years it gets a little boring unless you've got something else going for you... And the orchestra really kept you going. They'd laugh at all your jokes, even if they'd been hearing them for the last 30 years.
The difference between a 20-something and a 30-something man? Wisdom. At 20 years old, we dont really get how sensitive and beautiful women are. By 30, were finally starting to learn.
Often the greatest act of courage is admitting that one has made a mistake...Follow your hearts. Protect one another, trust one another, because, at the end of the day, all of these people want something from you, or want you to do something for them, or be something that you are not. Your own responsibility is to one another.
One piece of advice I have is: Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldn’t rely on it, because it’s not guaranteed and it’s not permanent and it’s not sufficient. So work hard, fall in love with the writing — the characters, the story, the words, the themes — and make sure that you are who you are regardless of your life circumstances. That way, when the good things come, they don’t warp you, and when the bad things hit you, you don’t fall apart.
You have something to say. Something of your very own. Try to say it. Don't be ashamed of any real thought or feeling you have. Don't undervalue it. Don't let the fear of others prevent you from saying it... You have something to say, something that no one else in the world has said in just your way of saying it.
You work for years and years to make the Olympics, then something goes wrong and it's all gone. But that doesn't mean you can't still make your mark in another way. Losing in the Olympic Trials made me that much hungrier to become a world champion as a pro.
I would say you've got to find your identity in God - in God alone - because everything else is a false sense of identity. He's the one who made you, he's your designer and your work and your value is found in him and not in anything or anyone else.
Here's something else you might as well learn now: If you want something, if you take it for your own, you'll always be taking it from someone else. That's a rule too. And something must die so that others can live.
Restaurants are like having children: its fun to make them, maybe, but then you have them for good and bad. You are going to have to raise them and if something goes wrong when they are 30 years old, they will still be your little boy.
Restaurants are like having children: it's fun to make them, maybe, but then you have them for good and bad. You are going to have to raise them and if something goes wrong when they are 30 years old, they will still be your little boy.
I was really inspired by my own experience, and specifically my own identity crisis but larger than that, I also wanted to explore the trend of reverse immigration, of the immigrant returning home after being in a host country or an adopted home for 20 years, and finding themselves at various levels of discord with the home culture. I wanted to explore people building lives across multiple geographies. I think that's, something that we're experiencing more and more as travel becomes easier, as people are traveling more for work. People can work from anywhere.
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