A Quote by Amber Heard

There's something nice and valuable and wonderful about the suspense and the classic horror that doesn't just crutch on blood and the almost pornographic view of fear. — © Amber Heard
There's something nice and valuable and wonderful about the suspense and the classic horror that doesn't just crutch on blood and the almost pornographic view of fear.
It [horror genre] never dies. It just keeps getting re­invented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.
As actors, we were fighting that tooth and nail because of fear, because language is a crutch and dialogue is a crutch, and it's so easy to just have a great writer write you a line.
What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
There's just something wonderful about getting a small group of people together in an isolated location, and there's something about cabins themselves that imply both horror and fun. When you go to a cabin, you're usually going to have a good time.
Theres just something wonderful about getting a small group of people together in an isolated location, and theres something about cabins themselves that imply both horror and fun. When you go to a cabin, youre usually going to have a good time.
What I love about watching classic horror films is that they take you on a ride and they obviously make you scared because you're so invested in the characters, you're almost forgetting that oh my God, this is about to scare me.
'The Conjuring' is incredibly effective and scary without the use of blood, gore, and death. It's a horror film that emphasizes atmosphere and suspense in the tradition of classics like 'Psycho' or 'The Others.'
I don't buy into any of that hogwash. They put that out to sell tickets. It's just a classic horror movie, with the Greek drama formula of good versus evil, and lots of fear.
When you write a scene where somebody is afraid of something you instantly go to decades of genre cinema: horror, suspense, and thrillers. Those are very cinematic genres, when you shoot a close-up of someone and you can see fear in the person's face, or anticipation, or some kind of anxiety, it's a very cinematic image.
What I like about the Carpenter take on 'The Thing' is the fact that it just has so much suspense. It seemed like a different story, with the horror elements.
There's something very terrifying about that and very primal about it. It's my belief that what horror does for people is that it provides that primal fear that, when we were wild hunter-gatherers, we had as part of our natural lives because maybe something was trying to hunt and gather you as well. We don't have that anymore in life and that's one of the things that horror films and action films provide for us.
I feel like R.L. Stine is so creative... he spares no one. He's relentless in the way that there's just blood and gore and horror in the 'Fear Street' books and the 'Goosebumps' books.
Fear of sexuality is the new, disease-sponsored register of the universe of fear in which everyone now lives. Cancerphobia taught us the fear of a polluting environment; now we have the fear of polluting people that AIDS anxiety inevitably communicates. Fear of the Communion cup, fear of surgery: fear of contaminated blood, whether Christ's blood or your neighbor's.
I do like horror films, but I wouldn't ever be interested in putting a horror on stage - blood doesn't equal horror.
I spent a lot of my adult life overcoming fear. It was a subject I knew a lot about, and it's one of the most important and most powerful human emotions. Fear is one of the greatest driving forces in the world. So I thought I could go into the horror genre and do things differently and contribute a different point of view.
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