A Quote by Amber Liu

I'm really scared of everything. I'm very, very emotional. I'm extremely soft! — © Amber Liu
I'm really scared of everything. I'm very, very emotional. I'm extremely soft!
I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about
I am someone who actually jumps headlong into everything and anything. I am not one of those people who likes to be scared; instead I have a tendency to be very, very open to everything. I really live; I love life.
I think to be courageous, you have to be afraid. For me, it feels very courageous when I go skiing because I'm very, very afraid to ski. It's dangerous! I feel very scared. But when I'm acting, I don't feel very scared.
When I became a parent I forgot about the part of myself which was very emotional, very dour a little depressed - but very good at writing emotional songs.
We are very passionate and very emotional people in Serbia. Everything we do, it is done with emotions. We are very good at sport, tennis, basketball, football ,water polo, volleyball. We always try to show this character and use it.
I like superheroes who are very human and underdog. That's why I relate to my character in 'A Flying Jatt': because he is a very normal person and very human. He was very unsure about his super powers; he didn't know how to use them. He is scared of heights, speed. Especially he is scared of his mom, but he has to listen to her.
Working with Joe [Kosinski], definitely. I loved working with Joe. For a guy who doesn't really come from the fiction world - he comes from advertising and architecture - he's extremely easy-going and very calm. He's extremely detailed, but a very generous and fun director to work with. He really encouraged me to find the fun in the part and to have fun with it.
I don't like working by a monitor. I stand right next to the camera, and I'm very performance-oriented. That really means everything to me, whether it's doing an improv of a joke or an emotional scene, and everything in between.
I see a lot of homes that are supercool, and everything is very tasteful, but it's not warm. I'm really scared of rooms that look too serious.
The D.C. vs. Heller decision was very strongly ­­ and she was extremely angry about it. I watched. I mean, [Hillary Clinton] was very, very angry when upheld. And Justice [Antonine] Scalia was so involved. And it was a well­crafted decision. But Hillary [Clinton] was extremely upset, extremely angry.
I want it to feel very satisfying, the ending, so you've felt like you were going on a journey and we were trying to lead you somewhere. So going into that, it's made it extremely funny but also a very emotional last season of the 'The Mindy Project' .
I wasn't happy at all as a child. I was very privileged and knew extraordinary people, but I felt very lonely: my mother thought I was extremely difficult and my grandmother was extremely severe.
I'm very interested in cinema that explores emotional journeys and where you can use everything at your disposal cinematically to locate you inside someone's head and their emotional landscape.
I believe an adult must intervene. You really have to. Kids just don't have the emotional maturity to deal with bullying and it can be extremely damaging; it can be life-changing. So I see that as a special thing that people need to be very careful in how they handle bullying.
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