A Quote by Amber Liu

Sometimes, when I do certain looks, I don't want the intention to be taken out of context or expressed in the wrong way. — © Amber Liu
Sometimes, when I do certain looks, I don't want the intention to be taken out of context or expressed in the wrong way.
The way in which the photograph records experience is also different from the way of language. Language makes sense only when it is presented as a sequence of propositions. Meaning is distorted when a word or sentence is, as we say, taken out of context; when a reader or listener is deprived of what was said before, and after. But there is no such thing as a photograph taken out of context, for a photograph does not require one. In fact, the point of photography is to isolate images from context, so as to make them visible in a different way.
I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.
There are certain times I don't want my picture taken. If my wife's stepping out of a car and it looks like it's going to come out an indecent picture, don't I have a right to object?
No word is absolutely wrong or dirty or insulting. It all depends upon context and intention.
Sometimes things don't turn out the way you want them to, Haven. Sometimes the people you choose to believe are wrong.
As a director, your job is to make sure no one for any reason is taken out of the film. Sometimes it's impossible and sometimes things don't come out the way you want them to, but I think you have to work really hard at making the world engrossing and details are a major part of that.
A spurious democracy has influenced both our research methods (I am sometimes tempted to define "validity" as part of the context of an experiment demanding so little in the way of esoteric gift that any number can play at it, provided they have taken a certain number of courses) and our research subjects (it would be deemed snobbish to investigate only the best people).
I don't think it's inherently wrong when bands do certain things - sometimes I'm really excited when I see a band has taken a big ad or sync.
Sometimes buying early on the way down looks like being wrong, but it isn't.
I painted the words "GREAT ADVENTURE" in Beijing, Dallas, San Francisco, Copenhagen, and Japan. What it means to me is completely different to everybody else. And that's what I love about random words and phrases taken out of context: everyone applies their own context. If you want to apply something political or meaningful to a word I wrote on the side of the wall, then it's up to you.
Unfortunately with certain situations, just sometimes it's just the way it is. It could be a problem with the promotion side or training or anything. Management, sometimes doesn't work out. Sometimes certain guys just choose to fight other guys.
Sometimes things happen in life, sometimes they don't. Don't get me wrong: I have no regrets - if I could turn the clock back 10 or 20 years, I wouldn't want to fundamentally change the path my life has taken.
I realize that men and women of the military go out and sacrifice their lives and put their selves in harm's way for my freedom of speech and my freedoms in this country, and my freedom to take a seat or take a knee, so I have the utmost respect for them, and I think what I did was taken out of context and spun a different way.
The naive which is simultaneously beautiful, poetic, and idealistic, must be both intention and instinct. The essence of intention, in this sense, is freedom. Consciousness is far from intention. There is a certain enamoured contemplation of one's own naturalness or silliness which itself is unspeakably silly. Intention does not necessarily require a profound calculation or plan.
I've been really upset sometimes when I've been misquoted. And it's the one thing they use in big print. Or it's taken out of context. Thoughts are fluid and words are sticky. That's the thing.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
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