A Quote by Amber Mark

I get so insecure about studio sessions. — © Amber Mark
I get so insecure about studio sessions.

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I never planned on being a live performer. My whole forte was about being in the studio, producing, playing the piano on recording sessions. I was all about the studio.
After getting off Bad Boy and then finally getting on with the Ruff Ryders/Interscope deal, it was like being able to exhale. The studio sessions were a lot different than the Bad Boy studio sessions. Like, we were able to just do anything we want.
I get insecure about a lot of things. In my line of work, unfortunately, your appearance is important, and I'm always like, "Am I going to the gym enough this month? Have I been taking care of myself?" I get insecure about things from time to time.
I get insecure about a lot of things. In my line of work, unfortunately, your appearance is important, and I'm always like, 'Am I going to the gym enough this month? Have I been taking care of myself?' I get insecure about things from time to time.
We will have a lot of video sessions and it will get mind-blowing for the guys. The training sessions are forcing you to be really concentrated and therefore I want them to discuss it, for them to come to me. It is all about input, it's about mindset.
Now I'm at a point where I decided I'm going to be in the studio for a while, at least until I finish this record I'm working on now. I should have two, three, four of the sessions that I had that were similar to the sessions for Peace Trail before I have a complete record.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
If I get an iTunes check, I take the money out and say, 'OK, with this money I'mma go shoot me this many videos, with this money I'm going to do this amount of studio sessions.'
I think I'm insecure about what every girl is insecure about, looks and stuff like that, but it's not a big deal.
One of the most important things for me in terms of my working method is doubt. I get very insecure about my ideas. And I don't say 'insecure' in kind of a paranoid way. I mean just: 'Are they good enough?' 'Is this the right thing to do?' I really beat myself up over that.
Sometimes you're a psychiatrist and sometimes you're a group therapist. The dynamics in between people and the misgivings sometimes that artists have when they get into the studio because they're under a different level of scrutiny. A lot of them can be insecure about it. My job is not simply to make musical determinations but sometimes to just keep people from flipping out during the process.
When you're an insecure teenager, you build walls and defenses and masks, and those are incredibly satisfying to perform and chip away at. I mean, when I was an insecure teenager, you'd have had no idea what I was insecure about because I hid it so well. Only confident people are comfortable wearing their vulnerabilities on their sleeve.
You will feel better in ten sessions, look better in twenty sessions, and have a completely new body in thirty sessions.
Acting is the most insecure profession in the world - you're insecure if you're successful, you're insecure if you're not. A tightrope walk without a net. It's a miracle I'm still standing!
When people get disillusioned and get insecure and content about the future, they tend to brood about what might have been.
I grew up seeing my sister in the studio. I would go to recording sessions and take notes.
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