A Quote by Amber Mark
Once I accumulated a bunch of sounds and learned how to use Logic, I was like, 'Wait a second, I don't need to work with any producers. I can do this on my own.'
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It's so much easier to use the default sounds in the synthesizers in Logic than it is to make your own thing or to learn how to play an instrument.
Loved once for ever loved: how surely sounds This gospel to me since I learned to list Truth from thy lips, mine own evangelist. What thought presumes to set now any bounds To Love whose being informs us and surrounds?
'What is this', and 'How is this done?' are the first two questions to ask of any work of art. The second question immediately illuminates the first, but it often doesn't get asked. Perhaps it sounds too technical. Perhaps it sounds pedestrian.
Above all, what I learned from my Sensei was how to wait. I believe I learned the meaning of waiting on one foot. If I understand anything in this life, it is how to wait. It is not an answer. But for me it is everything.
One of my pleasantest memories as a kid growing up in New Orleans was how a bunch of us kids, playing, would suddenly hear sounds. It was like a phenomenon, like the Aurora Borealis -- maybe. The sounds of men playing would be so clear, but we wouldn't be sure where they were coming from. So we'd start trotting, start running-- 'It's this way! It's this way!' -- And sometimes, after running for a while, you'd find you'd be nowhere near that music. But that music could come on you any time like that. The city was full of the sounds of music.
I don't think you should sit around and wait for people to give you an opportunity to express yourself or do your work, or whatever. Actors have to be producers and writers have to be producers.
What I learned about acting, from my experiences directing, is why so many producers and directors don't like actors. You go through all of this work securing a location, figuring out how to get electricity there, how to get trucks parked where they need to be, and where catering is going to come from. And if the actors don't come up with some magic, it actually didn't matter. That creates a lot of animosity towards the actors.
We've been working for years on how we can use technology to help people make their own jobs, become entrepreneurs, create their own small businesses. Those are the kinds of things that I and a bunch of other people at LinkedIn actually work on.
You need the words, you need the script, you need the material, you need the commitment, you need the passion, it's like we depend on writers, we depend on producers, directors depend on us and once things are in the divine order as they happen.
To me, if there is any sort of value added to the accumulation of knowledge over time, then the work of artists should be a reflection of that accumulated value, accumulated knowledge. You have to demonstrate that you have the sophistication to put that into play in the work you're making.
You asked me how to get out of the finite dimensions when I feel like it. I certainly don't use logic when I do it. Logic's the first thing you have to get rid of.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
I was doing music tech as a subject and learned how to use Logic Pro and that's when I kind of had a platform to put my ideas on. It all just went from there.
I wanted to feel like an artist for once in my life. I wanted to use other producers for respect, to let them know that I listen to other people's music and that I'm just not out here on my own page.
There's no point in me meeting with a bunch of producers or studios, because I'll write my own scripts in my own time.
I remember my jaw would hurt because I wasn't used to speaking English all the time. Like how, even if you exercise, you'll play kickball one day, and then you're like, 'Wait, I run, but new places are hurting because I don't use my muscles this way.' My mouth was not used to making these sounds.
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