A Quote by Amber Naslund

Quit counting fans, followers and blog subscribers like bottle caps. Think, instead, about what you're hoping to achieve with and through the community that actually cares about what you're doing.
We had a thing there where you could turn in - it was some sort of recycling program - the bottle caps of RC Cola. You'd turn in 12 of them, and you'd get a ticket to see a movie. That's how I started going to the movies. Running around the neighborhood looking for bottle caps. We were like little scavengers.
Without the New York Times, there is no blog community. They'd have nothing to blog about.
By having a blog, you can make yourself very accessible to your target audience. You can leave comments open on your blog so you can learn exactly what your audience likes about what you're doing with your business and about what they think you should change.
When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting to four? That's where we're going with this?' Then they sent me appearances by other people like James Blunt doing 'You're Beautiful' as 'My Triangle.'
The fans care about somebody who cares about them. It's not all about somebody who can put the ball in the cup. I think that's my calling.
I got a lot of fans, like core fans, that love me. I ain't one of the dudes that sell five or 10 million brackets, but my followers are stern. They're there. My fans - Jadakiss fans, LOX fans, D-Block fans - they loyal.
The idea of massive amounts of fame-having my face on Walgreens end-caps and pizza boxes-I don't fantasize about that. I'm happy with just being a songwriter. I'd rather have smaller numbers [of fans] that are really into what I'm doing than a massive amount of people that don't really know what I'm about.
Except for certain moments - when cells are dividing, for instance - chromosomes don't form compact, countable bodies inside cells. Instead, they unravel and flop about, which makes counting chromosomes a bit like counting strands of ramen in a bowl.
Today, financial capital is no longer the key asset. It is human capital. Success is no longer about economic competence as the main leverage. It is about emotional intelligence. It is no longer about controls. It is about collaboration. It is no longer about hierarchies. It is about leading through networks. It is no longer about aligning people through structures and spreadsheets. It is about aligning them through meaning and purpose. It is no longer about developing followers. It is about developing leaders.
Sometimes when my fans come up to me, they think it's going to be entertaining, like I'm going to tell jokes or do bits, and then instead of that I end up talking about really mundane things with my fans, and then they're kind of like, "This is boring. I want to go talk to somebody else." I think I bore my fans to death by over-talking to them.
I'm a real person that cares about his art and cares about what he's doing. I have a heart and a soul and I want to touch people and give.
I am a real person that cares about his art and cares about what he's doing - I have a heart and a soul and want to touch people and give.
I think competition in any kind of activity like music, art, literature - anything that's not done with a timer - is actually impossible. So, in effect, what you're doing is you're entering the lottery. You're hoping that you play well (and that) you play your best on the day that you're heard, and you're hoping that the people who are judging will like what you do.
I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.
I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
All he cares about is going out there with his Jack Daniels bottle. Nothing has changed. That's kind of sad. If David was doing better than he used to be, then that would be different. But it was a joke and he made it that way.
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