A Quote by Amber Rubarth

I think sometimes since we have so much technology today it's easy to overproduce things and perfect things in a way that's not really natural, and I've always really gravitated toward imperfections and just the essence of the thing.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
I think what really people want is just a few things done really, really well. And if you think about ever day of your life, the things you really appreciate aren't the complicated things. They're the simple things that work just the way you expect them to.
My interest in fragrance is really a personal thing. I've always gravitated toward them and appreciate the subtle, meaningful way they express who you are.
I think you're always drawn to what you love, and I'm always really drawn to things that feel really real and really true to me. I love things that make me think of things in a way I hadn't, and I love looking at people in the world in a way that I hadn't. And sometimes big, huge stories do that for me, but I think I am drawn to smaller ones.
I go to see the clothes [I designed] in the shops, and of course they're not perfect, and I see only the imperfections. But it doesn't mean it's a failure-you just think, I wish it could be better than this. Sometimes I cannot achieve what I really want to do in just one collection, so in the following collection I do it again. There are certain things I've been working on for three years.
The problem with natural language processing and the thing that really holds the technology back, is that when it crashes and burns, it's horrific. I think we would be in a position to really take a serious look at it, once two things happen. The interesting thing about a dialogue-choice system is that we've devoted so much into all kinds of other systems for processing, and dialogue choices use zero processing. So suddenly, if you want to have a great natural language processor, you need to dial down your graphics to make it work.
A lot of people think technology is a solution, but it's really just a canvas for your work. It can make good things amazing and bad things terrible. Facebook allows you to have access to mass audience really quickly if you do creative really well.
I think it's really easy to just get caught up in what everyone else is doing, so I think the most important thing to remember is to be really strong in your own shoes. That is the main thing for me. The one thing that kind of gets in my way sometimes is when I'm a little too aware of everybody else.
I really like to go for the essence of things - the most beautiful parts of things - of human beings or of music. If there are things in there that are getting in the way and complicating it, it's just not good for me.
I'm 32 this year so I'm experienced, I know how it is: sometimes you do very easy things and sometimes you can do crazy things that you don't understand. It's just to be focused on the hard work. For me, that's always the No 1 thing.
One of the things that really does annoy me is just comments on my hair. Like 'your hair's not tidy,' or 'Ooh, what's this?' Just little comments that I just think are so inappropriate. Sometimes I'm just like, 'Is it really necessary?' But you know, as a black female, you do learn to just brush these things off, which isn't the way it should be.
We aren't supposed to strive for perfection everyday. If we were perfect, we'd have no need for Jesus. And it's through our imperfections that we really feel the pull toward our need for a Savior. So the imperfections serve a wonderful purpose if we'll let them.
I love doing emotional scenes. As I've had a perfect life, I don't really have much to pull from. But it's really fun and not that challenging. It's almost pretty easy. The hardest thing is to try and make people laugh. That's a really hard thing.
I think the thing that always blows my mind is that Loki hasn't had much screen time, really, in the grander scheme of things. I think it's roughly 79 minutes and I think that's so incredible that he's this really beloved character.
You can always hear a director saying, 'Well I don't really know what this piece is saying, so therefore, I reject it.' There are any number of things you can anticipate going wrong, and sometimes they go right. But I think the things you like most are the things that get rejected first. That's just how things work.
I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.
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