A Quote by Amber Rudd

I don't need to understand how encryption works to understand how it's helping the criminals. — © Amber Rudd
I don't need to understand how encryption works to understand how it's helping the criminals.
Most of the younger people I knew didn't seem to have a handle on things; they hadn't found their place, they didn't understand how the world works, they didn't understand how to treat other people, and they didn't know how to stop thinking about themselves.
My approach to the story... is if you can get into a criminal's mind and understand how it works and understand how crime is committed, you can help prevent it from happening to someone else.
The players start to recognise your game, start to know how you move, how you pass, how you shoot and the things become difficult now. So now I need to improve more and to work more and understand more the teams who I play against because they will understand me better, but I need to be prepared to understand better the difficulties they can have.
For an actor working in television or film, I think it's important to understand how the medium works - how the camera and lenses work and how the sound and the editing works.
If you don't understand how something works, never mind: just give up and say God did it. You don't know how the nerve impulse works? Good! You don't understand how memories are laid down in the brain? Excellent! Is photosynthesis a bafflingly complex process? Wonderful! Please don't go to work on the problem, just give up, and appeal to God.
You will never find scientists leading armies into battle. You just won’t. Especially not astrophysicists -we see the biggest picture there is. We understand how small we are in the cosmos. We understand how fragile and temporary our existence is here on Earth. We understand there are bigger problems we need to solve as a species than what God you pray to.
Writing a story requires you to understand how the world works, how characters think, how their emotions drive them to do surprising things, and so on. In other words, as a writer, you have to be more than a stylist. You need to learn to become a master of storytelling.
You need to understand how human beings bring together their brains and enable their ideas to combine and recombine, to meet and, indeed, to mate. In other words, you need to understand how ideas have sex.
I'm not sure why, but I seem to be drawn to stories about abuses of power. But I'm also drawn, not so much to victims' stories, as stories that tend to show how power works. Because if you don't understand the criminals, you can't figure out how to stop the crimes.
I think I learned how it works in the league. When you are outside you don't understand everything, but when you are inside you can know how it works.
I need to know how the clock is made after you tell me what time it is. I want to know all the details so I can understand how it works.
There's a rebirth that goes on with us continuously as human beings. I don't understand, personally, how you can be bored. I can understand how you can be depressed, but I just don't understand boredom.
Most people have no concept of how an automatic transmission works, yet they know how to drive a car. You don't have to study physics to understand the laws of motion to drive a car. You don't have to understand any of this stuff to use Macintosh.
The question is how do you do it [more consumer protection] so that it actually works that way? And that takes analysis, and sometimes collaboration between government and business, to understand how that works.
Anyone who's an executive at a record label does not understand what the Internet is, how it works, how people use it, how fans and consumers interact - no idea. I'm surprised they know how to use e-mail.
I like to tell small business owners and entrepreneurs, 'I get it. I have your back on this. I understand about regulation. I understand how taxes are taxing. I understand what it is like not to be able to borrow money when you need it.'
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