A Quote by Amber Sealey
I learn more with each film, and I gain confidence in my style of working. But at the same time, each one is a new monster.
Related Quotes
With 'Hail, Caesar!' it was about all the skill sets I had to learn, but each movie requires a different way of working. You're a piece in a new world, and there is always a difficult part within that world. For me, it's not consistent from movie-to-movie, each film has a central challenge.
For me, each time I'm on stage, each time I'm working on a new album, it's like a dream. I can't believe it's happening.
With each new pair of shoes, each new wrist-watch, each new Walkman or moisture-wicking wonder-material that runners put on, the sport became more alluring to me and to millions of others.
How much more proof does anyone need to see to know that there is more to GAIN from loving each other and being good to all people -- than from hating and envying each other? When we continue to hate, we continue to LOSE. When we amplify mutual respect and LOVE, we have a lot to gain! Quite simply, there is more to gain through love than hate.
People don't have to put you in a box. You can have the confidence to move across, and combine and learn from each different practice. They inform each other.
I always imagined that I would learn something each time that I would take to a new project, then I realized that each new project poses a completely different challenge.
You obviously learn each time you go on tour, with each concert, with each song, from all your mistakes. But everything we did was authentic.
I attended speech and drama classes with a nun to help me gain confidence in speaking without my face turning red each time.
Each time you do a film you gain a lot of experience and build a visual resume where people get to know who you are.
Growth is a sub-conscious activity, and I learnt a lot in this course, and I'm always open to learning and grasping new things from people. I'm learning with every film, and my confidence levels and technique is also getting better with each film.
Each time a new baby is born there is a possibility of reprieve. Each child is a new being, a potential prophet, a new spiritual prince, a new spark of light precipitated into the outer darkness.
As the world is getting smaller, it becomes more and more important that we learn each other's dance moves, that we meet each other, we get to know each other, we are able to figure out a way to cross borders, to understand each other, to understand people's hopes and dreams, what makes them laugh and cry.
I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.
More than my other films, Uncle Boonmee is very much about cinema, that's also why it's personal. If you care to look, each reel of the film has a different style - acting style, lighting style, or cinematic references - but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying - at least this kind of old cinema that nobody makes anymore.
I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style. I have worked on big movies and small movies and network TV. I have had amazing experiences in each environment, and awful ones - more good than bad, though.
Each victory gained over oneself means new strength to gain more victories.
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