A Quote by Amber Stevens
With movies, you come and go as an actor, especially if you are not the lead, from week to week. You don't really have a lot of time to get to know anyone, and then on to the next thing. I know a lot of actors who find fulfillment in playing an entirely new character. I like to stick with one character and create a family with the people around me.
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If you're writing a bi character, did you look at a lot of bi actors for the role? Did you really go and find people that identified as queer? If you did, then great, and if you didn't find anyone you liked in that pool, well, that's surprising. If you write a character that's trans, the time is now - cast a trans actor.
I think, as an actor, I would find it a little run-of-the-mill doing procedurals where it's the same sort of thing week in and week out. Your character doesn't get to grow very much, which, purely from an actor's point of view, you want to see an arc of your character.
I watch a lot of different films. A lot of different performances and I find a lot of little things from the films or things that actors do or people in real life who have behaviors or idiosyncrasies that I like or find interesting and I try to remember that. And then I'll do a prayer. I'll do a prayer to ask the character or the spirit of the character to come and visit me. And let's work together.
You're in everyone's homes every week as this character, and they feel like they know you, and then they start to really define you as this character that you portray.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
If you eat a lot of starchy foods, introduce a vegetable once a week, then twice a week, and then three times a week. Slowly fill your diet with new flavors. By the time you're ready to let go of whatever it is you want to let go of, you've got a full menu.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
Dear friend, I feel great! I really mean it. I have to remember his for the next time I'm having a terrible week. Have you wer done that? You feel really bad, and then it goes away, and you don't know why. I try to remind myself when I feel great like this that there will be another terrible week coming someday, so I should store up as many great details as I can, so during the next terrible week, I can remember those details and believe that I'll feel great again. It doesn't work a lot, but I think it's very important to try.
If I have one thing on in a week, I find it very difficult to get back to work that week. I need a lot of dreaming time.
There should always be that leeway because if you think of your character as sort of absolutely fixed, then you just try and find actors to come and do exactly that thing, then you're not gonna be working with that actor's own set of internal impulses and who they are, so the best work is always a coming together of the actor and the character.
I read a lot, and I watch a lot of TV and film now. That's my homework. Like I said, my Netflix. I've watched Aliens a couple times this week, Dawn Of The Dead. And that's what's really cool too. It's nostalgia, because I saw these shows, these movies, a lot of them, when I was a kid, and they're different now when you watch them. I'm like, "Wow, I can't believe my family let me watch that," and "I must have missed that the first time around."
I'm not that complicated as an actor. I have a formula in which I work, yeah. But not like Sean Penn does. Sean is one of the few actors I know who can work like that, actually becoming the character he is playing, and get consistent results. I don't believe you can ever be someone else. You manifest different levels of your own personality to come up with a character.
It's something we do every week. Every week kind of has bigger name headliners. It's all just our taste. There's a lot of people like Ian Edwards or Dan Mintz who a lot of people haven't heard of yet, but we know are really great. When we started the show five years ago it wasn't because Patton Oswalt needs another place to play. It was because we had a lot of new friends like BJ Novak or Morgan Murphy, who didn't have any club to play.
As a young actor, I was advised to bide my time. Back then, there weren't good roles for someone like me. There were handsome leading men and character actors for smaller supporting roles. But I was told to hang in there, and it was good advice. We're all character actors now. Even a handsome man is a character actor at my age.
I'm a character actor and that's what I do. All the roles that I've had have been mainly support roles, because character actors don't usually get the lead in movies. It rarely happens.
I like to have a much greater base and know a lot more about my character before I begin to fill the person. So a lot of it really entails sit-downs with them, determining who she is, where she came from, and why she reacts a certain way, and then I was really able to expand upon a lot of that and create a lot of that story on my own.
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