A Quote by Amber Stevens

You have a schedule that you really have to stick to with TV and make sure that you are producing enough film for the network to edit through and air quickly. — © Amber Stevens
You have a schedule that you really have to stick to with TV and make sure that you are producing enough film for the network to edit through and air quickly.
I worked more intensively hour after hour when I was starting out [writing]. More laboriously. I'd say quantity is important as well as quality, and if you're not producing enough, make a schedule and stick to it.
I think the rigors of a TV schedule are brutal and 'Six Feet Under' wasn't a network schedule. We did 13 shows, we didn't do 22. I don't know how people do that. I really don't. I mean the shows are shorter, but wow, it's quite a discipline.
Apart from my film, I am producing TV serials and plan to make more films, too. Mine is not going to be one-film-a-year production company as such.
Things maybe take longer usually when it comes to TV - especially network TV. There are usually multiple levels that you have to go through in terms of the casting director, the producers, the studio, the network, reading with other people.
In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.
I'm not afraid to delay the schedule to make sure that this is the film that I want, that this is the best that I can do at that point.
A picador is the guy in a bullfight who helps make sure the matador doesn't get killed by distracting the bull. That's what TV writing is. You're just distracting the bull long enough to stick around for the next set of commercials.
I love editing. I think I like it more than any other phase of film making. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.
Life isn't moving quickly - time moves very quickly. But I don't really have a schedule now that's very challenging. I make the calls and I call the shots, so I feel reasonably centered. Sometimes, I wonder whether or not it's even necessary to do concerts and stuff.
I've been really lucky to work with some really great film people in the past, but television works on a much quicker schedule, and it's the TV directors I've worked with that I looked to and became a big fan of.
I dream that one day I can really combine where I came from on network TV, with where I am, and not have to be told by a secular network president again that Jesus won't work on network TV, when I know thats not true. People need the message of love and hope that Jesus represents. He's not divisive. People are. Love is the greatest unifier and Jesus is love.
When you are producing for ABC, you are producing for a big tent network. So when you are thinking about your story lines and characters, you are thinking about broad appeal. When you are producing for a niche interest, you are producing for a different audience.
When I am shooting a film, and it has a big schedule, I make sure that I take a week off with the family. It gives you new energy.
When you make a decision to write according to a set schedule and really stick to it, you find yourself writing very fast. At least I do.
Al Gore is producing enough hot air to make his doomsday predictions about global warming a self-fulfilling prophecy.
You know, post-production is a bit of a grind to me. If I'm producing a film, I really... I mean I like editing, but all the other crap, the color mixing and... it's all a grind. And so as a result I cut back producing the number of films I was producing.
This site uses cookies to ensure you get the best experience. More info...
Got it!