A Quote by Amber Tamblyn

My parents are artists, so I grew up with my mom having bonfires, seven guitars, and talented musicians and artists around like Jack Hirschman. — © Amber Tamblyn
My parents are artists, so I grew up with my mom having bonfires, seven guitars, and talented musicians and artists around like Jack Hirschman.
The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
Growing up, my parents always played artists like Alanis Morissette, Aerosmith and Michael Jackson, so I just grew to love their music. And I just love so many diverse artists for different reasons; some for their instruments, some for their edge, some for their vocals.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
I grew up loving artists like the Spice Girls and Britney Spears - artists who seemed to live this fantasy lifestyle, and I remember always wanting to join these fantasy people in that world.
You have gigantic companies feeding off musicians and artists because the artists need the exposure.
When you're actually talented, and you have something to offer, people start to look at you for you as opposed to who you're the offspring of. I feel like a lot of actors, artists, or musicians who come from famous fathers or mothers all deal with the same thing.
I am passionate about finding undiscovered and talented artists. I want to help those artists get to the next level and provide existing artists with a new way to reach fans. I wanted to partner with the Cutting Edge Group because they share my vision and have a proven track record in innovation in the music business.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
I grew up in Michigan and - where to start? I mean, my dad was a doctor who worked at a jail. He was more like a jail administrator. My mom was a public school teacher. There's no artists in my family whatsoever.
My mom grew up in Idaho, went to Brigham Young University: they're very Molly Mormon. And my father is, like, first generation Albanian, and his parents lived in Southey and grew up in downtown Boston. My parents are complete opposites.
I thought, 'A biennial needs artists. I'm going to do an international biennial; I need artists from all around the world.' So what I did was I invented a hundred artists from around the world. I figured out their bios, their passions in life and their art styles, and I started making their work.
My mom was real into like a lot of different musical artists, real artists, even back when Jay-Z and Beyonce was together.
The pop musicians often leave meaning in the dust and substitute it for cartoons. The deeper artists - the grunge artists in the world and the emoticon people - tend to leave all of the happiness out of life like it just doesn't exist.
I went to Havana, and I was like, "Wow, there's culture everywhere!" That was one thing that I did notice when I went to Cuba was that artists are paid to be artists, and poets are paid to be poets, and musicians are paid to be musicians by the government. The government - and I'm not saying that the Cuban government's perfect - but the government does place a value on culture.
I come from a visual background, and I grew up around a lot of hippies and artists. My mom and my brother and I moved around a lot. We basically moved every couple of years, and I went to a lot of different schools. But creativity, for us, was always a way of life. It was never a job. Being an artist was a passion and a way of life.
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