A Quote by Amber Tamblyn
And a lot of times in slam poetry I feel like people are so worried about the performance that the words might not be as strong.
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People are sad. People are broke. People are worried about money, people are worried that they're not enough and not amounting to anything and they don't feel good about themselves. People have rough times, and everybody's pretending it's not true, and we need to break that veneer.
A lot of writers, because they don't understand actors, feel like, in order to be better at their performance, they have to change the words around a lot.
My music is more like ghetto gospel; there's a message in my words, so people listen. Sometimes you might here different things; it depends on how you feel. You might feel down, and I might be the cat in the same sentence saying, "You need to get up and do your thing." And then I could be the same cat, when you at the top of your game, telling you, "It feel good, don't it?" but with the same words.
For me, when I started writing, it was mostly poetry. And poetry is very visual. I feel the same way about the way that I approach direction. There might be a theme within the visuals that you're choosing that people don't consciously pick up on, but that they feel.
Shyness is about the fear of social judgments - at a job interview or a party you might be excessively worried about what people think of you. Whereas an introvert might not feel any of those things at all, they simply have the preference to be in a quieter setting.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
I used to think I needed to have drama at all times, or I wouldn't have the fuel for the performance. Now I know that's not true. That doesn't mean I don't feel it, but I recognize it when I do and put the brakes on. And if the performance isn't what it might have been once, I've learned not to judge myself as much.
Spoken word poetry is the art of performance poetry. I tell people it involves creating poetry that doesn't just want to sit on paper, that something about it demands it be heard out loud or witnessed in person.
I put out one album one week, and I'm already worried about the next one. I feel a lot of emotion throughout the course of a day. But not to the point where you need to be worried about me.
If the words make sense on paper, and make me feel good, and I feel like it will connect, that's all I'm worried about it.
The secret of understanding poetry is to hear poetry's words as what they are: the full self's most intimate speech, half waking, half dream. You listen to a poem as you might listen to someone you love who tells you their truest day. Their words might weep, joke, whirl, leap. What's unspoken in the words will still be heard. It's also the way we listen to music: You don't look for extractable meaning, but to be moved.
I've said jokes where I thought people might get up and hit me for this. A couple of people have thought about it. But they didn't. It gives you a lot of power, because if you're on shows where people are worried about getting sacked and you're not, then you're transcendent because you say what other people would like to say.
People are too worried a lot of times what other people in the audience are going to think about them, so they like to feign offense so other people don't think that they're inappropriate for laughing at something.
I am the mother, and the emotional chord with my children is naturally strong. So there are times when I might get sleepless nights because I am worried.
But a lot of times, people die how they live. And so last words tell me a lot about who people were, and why they became the sort of people biographies get written about.
I'm very vain about my performance. I want to give as honest a performance as I can. But I'm not so worried about being regarded as beautiful when I'm playing a character.
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