A Quote by Ambrose Bierce

PIANO, n. A parlor utensil for subduing the impenitent visitor. It is operated by depressing the keys of the machine and the spirits of the audience. — © Ambrose Bierce
PIANO, n. A parlor utensil for subduing the impenitent visitor. It is operated by depressing the keys of the machine and the spirits of the audience.
I love playing all kinds of roles. I hope it doesn’t sound too pretentious, but I always feel human nature is like a piano, and there are 88 keys, and there are some white keys and some black keys, and each character is a different chord on the piano. Basically, I hope that in the course of my life, I will have played all 88 keys. So, I’ll have played heroes and villains and princes and kings and warriors and beggars and thieves and lovers and fathers and wizards and all of those things. That is why I’m an actor… I love studying people.
The genome could be thought of as a kind of piano with twenty-five thousand keys. In some cases, a few keys may be out of tune, which can cause the music to sound wrong. In others, if one key goes dead the music turns into a cacophony, or the whole piano self-destructs.
A piano is a machine, but you've got ivory and there's weight behind the keys and you have this really - you feel the resonance in the instrument, you feel the vibration in the pedal. I mean, these a still very crude.
Life's piano can only produce melodies of brotherhood (and sisterhood) when it is recognized that the black keys are as basic, necessary and beautiful as the white keys.
I used to play the piano when I was younger, and I loved Alicia Keys. I wanted to be Alicia Keys; she was such an idol to me.
A piano store looks like a funeral parlor for music.
I can't read or write music. When I want to remember something, I try to remember all the keys on the piano. Which is what I still do. I put the numbers on the keys. And that's got to become music again.
When I was playing piano, it was like, 'I'm going to write a song using all the white keys.' My music director, who knew my jazz background, suggested I try big-band music, so we spent a year experimenting with it in concert, and the audience reaction was really good.
The thing with the piano is, the piano is like percussion almost - well, it is. You have to... not beat on it, but there is more work involved than a Hammond. With a Hammond, you just lay your hands on the keys, man, and you're gone.
As a child, I'd help my mum cook, and it was ridiculous - she had the correct gadget or utensil for everything. 'Stop! Don't use that, I have exactly the right utensil.' After I left home, I survived on cup-a-meals and never saw myself as being like her. Now I've become her.
Slap some keys on her and we'll have a piano.
The piano has eighty-eight keys, and you have to be able to play all of them. And the range of white to black is analogous to the eighty-eight keys and you have to be able to play all eighty-eight keys in that palette from white to black.
very bright teeth as big and orderly as piano keys.
Touch me 'til my ribs become piano keys.
The public is like a piano. You just have to know what keys to poke.
The piano keys are black and white but they sound like a million colors in your mind.
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