A Quote by Ambrose Bierce

LUMINARY, One who throws light upon a subject; as an editor by not writing about it. — © Ambrose Bierce
LUMINARY, One who throws light upon a subject; as an editor by not writing about it.
Bob Wallace was my editor at Rolling Stone when I first started writing there, and he's a wonderful editor. I was in the Philippines during the Marcos overthrow, and I was up on what was called Smokey Mountain. I think it's gone now, but it was a garbage dump with a bunch of people living on it. I was talking to Bob on the phone, and I told him, "I'm a humorist. I can't write about this." And Bob told me to let my style be dictated by the subject, to take what I saw and write about it in the tone that it requires.
It always surprises me how much my followers appreciate how candid my photos are - they may not have a particularly unique subject, but it's more about the light you shed on the subject than the subject itself.
Every luminary in the constellation of human greatness, like the stars, comes out in the darkness to shine with the reflected light of God.
In writing, the point is not to manifest or exalt the act of writing, nor is it to pin a subject within language; it is, rather, a question of creating a space into which the writing subject constantly disappears.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
I write about people I think are interesting, and then I discuss it with my editor, and she decides if she thinks it will be interesting to children as well. If I have no great interest in the subject, I find the work to be terribly boring. And if I find the person interesting, I love the research part and, by extension, the writing as well.
It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book.
Further, in writing, I feel corrupt and unethical if I have to look up a subject in a library as part of the writing itself. This acts as a filter--it is the only filter. If the subject is not interesting enough for me to look it up independently, for my own curiosity or purposes, and I have not done so before, then I should not be writing about it at all, period. It does not mean that libraries (physical and virtual) are not acceptable; it means that they should not be the source of any idea.
Short fiction is like low relief. And if your story has no humor in it, then you're trying to look at something in the pitch dark. With the light of humor, it throws what you're writing into relief so that you can actually see it.
I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.
Evolution throws a wonderful light on all the struggles, eccentricities, tortuous developments of the human conscience in the past. It is the only theory of morals that does. And evolution throws just as much light on the ethical and social struggle today; and it is the only theory that does. What a strange age ours is from the religious point of view! What a hopeless age from the philosopher's point of view! Yet it is a very good age, the best that ever was. No evolutionist is a pessimist.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
A good editor understands what you're talking and writing about and doesn't meddle too much.
Let's say I've directed that [writing] energy into writing my latest book but suddenly, I really want to write about an onion. I don't say to myself, "No, you have stay on the subject," because I know that the longer I stay on the subject the more boring I get. So, if my mind wants to write about an onion, it might be a deeper way to go into what I'm working on, even though it might seem irrelevant. This is how I've learned to follow my mind.
I don't write about sex because it's not really my subject. I love it when other people write about it, but it's not my subject, and I don't want anyone I've had sex with to write about it. Plus, you're in front of an audience, and they picture wherever you're writing about. I'm 52; no one in the audience wants to picture that.
Lifes light. Life is light. You can make light do anything you want to. Photography means 'light writing'.
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