A Quote by Ambrose Bierce
STORY, n. A narrative, commonly untrue. The truth of the stories here following has, however, not been successfully impeached.
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STORY, n. A narrative, commonly untrue.
It is some disaster for any mind to hold any one thing for truth that is untrue, however insignificant it be, or however honestly it be held. It is a greater disaster when the false prejudice bars the way to some truth behind it, which, but for it, would find an entrance to the soul; and the greatness of the disaster will in this case be measured by the importance of the excluded truth.
The word story is intended to alert the reader to the fact that, however closely the narrative may fit the facts, the fictional process has been at work.
I'm a scientist at heart, so I know how important the truth is. However inconvenient, however unattractive, however embarrassing, however shocking, the truth is the truth, and wanting it not to be true doesn't change things.
While the story about the hunt for bin Laden has been exhaustively reported and the key sources and witnesses are in agreement about the main points of the narrative, of course, it's still possible that we could learn new details about the story that would add to the narrative.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
I never even considered writing a career option. I just liked the play of words. I was certainly interested in story, but the stories I was telling then were in narrative verse and prose poems, short and succinct, except for one novel-length poem written in narrative couplets.
Faithfulness to the truth of history involves far more than a research, however patient and scrupulous, into special facts. Such facts may be detailed with the most minute exactness, and yet the narrative, taken as a whole, may be unmeaning or untrue. The narrator must seek to imbue himself with the life and spirit of the time. He must study events in their bearings near and remote; in the character, habits, and manners of those who took part in them. He must himself be, as it were, a sharer or a spectator of the action he describes.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
Individual stories from the Bible had been made into movies, but no one had taken on the arc of the Bible story as one meta-narrative from Genesis to Revelation.
It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.
War stories deal in death. War illuminates love, while love is the greatest expression of hope, without which any story rings untrue to life. And to deny hope in a story about such darkness is to create false art.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
In my short stories there's a lot of focus on people successfully and not successfully responding to some sorts of discomforts or instabilities.
Bill Clinton was impeached primarily for criminal conduct: lying under oath and misleading a federal grand jury about his affair with Monica Lewinsky. Nixon would have been impeached for a wide array of criminal acts, as well as abuses of power.
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