A Quote by Ambrose Bierce

EPIGRAM, n. A short, sharp saying in prose or verse, frequently characterize by acidity or acerbity and sometimes by wisdom. — © Ambrose Bierce
EPIGRAM, n. A short, sharp saying in prose or verse, frequently characterize by acidity or acerbity and sometimes by wisdom.
That prose is a verse, and verse is a prose; convincing all, by demonstrating plain – poetic souls delight in prose insane
The simple Wordsworth . . . / Who, both by precept and example, shows / That prose is verse, and verse is merely prose.
Everything that's prose isn't verse and everything that isn't verse is prose. Now you see what it is to be a scholar!
The first two books that I did by myself were long stories in verse. I knew I could do that because I'd written a lot in verse. But, verse stories are hard to sell, so my editor encouraged me to try writing in prose.
What I do say is that I can write verse, and that the writing of verse in strict form is the best possible training for writing good prose
What I do say is that I can write verse, and that the writing of verse in strict form is the best possible training for writing good prose.
Prose is in fact the museum where the dead images of verse are preserved. In 'Notes', prose is 'a museum where all the old weapons of poetry kept.
Verse in itself does not constitute poetry. Verse is only an elegant vestment for a beautiful form. Poetry can express itself in prose, but it does so more perfectly under the grace and majesty of verse. It is poetry of soul that inspires noble sentiments and noble actions as well as noble writings.
I never even considered writing a career option. I just liked the play of words. I was certainly interested in story, but the stories I was telling then were in narrative verse and prose poems, short and succinct, except for one novel-length poem written in narrative couplets.
An epigram is the marriage of wit and wisdom; a wisecrack, their divorce.
All which is not prose is verse; and all which is not verse is prose.
A short saying often contains much wisdom.
Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.
Prose proposes, verse reverses.
Sometimes I write from the end of the verse to the beginning of the verse.
The first thing that strikes you about Timothy Murphys verse is the palpable texture of his line - that sound of sense practised by that other American poet-farmer, Robert Frost. And just as Murphys ear is trained on the rhythms of local speech and classical epigram, his eye holds fast on the image. This is an undeluded vision, sometimes bleak, often funny, and never less than painstakingly crafted.
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