A Quote by Ambrose Bierce

KILT, n. A costume sometimes worn by Scotchmen in America and Americans in Scotland. — © Ambrose Bierce
KILT, n. A costume sometimes worn by Scotchmen in America and Americans in Scotland.
Rosewood is what Americans did to Americans. We have to hold the mirror up... and look at ourselves. Sometimes that's an ugly sight. And sometimes you have to go through that pain - both black America and white America - so we can finally find some racial harmony.
Is there anything worn under the kilt? No, it's all in perfect working order.
Our Scottish theory ... is that every country has need of Scotchmen, but that Scotland has no need of the citizens of any other country.
Scots are born exiles, and Scotland the perfect country to be exiled from. Do not imagine that I am running down Scotland. Far from it. ... No, what I mean is that Scotland's beauties, though undeniable, are obvious ones, easy to carry in the heart, easy even to describe to the benighted members of less fortunate races. Lakes, islands and mountains, heather and rowan, broad straths and narrow glens - these are jewels easily worn in the memory.
If Freud had worn a kilt in the prescribed Highland manner he might have had a very different attitude to genitals.
I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at.
The special relationship between America and the UK has been one of the great forces in history for justice and for peace, and by the way, my mother was born in Scotland, Stornoway, which is serious Scotland.
I talk about my dad and the American dream, and I just want to say to Americans how fascinated we are by America. We would love Americans to look at the rest of the world that way sometimes.
Scottish-Americans tell you that if you want to identify tartans, it's easy - you simply look under the kilt, and if it's a quarter-pounder, you know it's a McDonald's.
Our nation is built upon a history of immigration, dating back to our first pioneers, the Pilgrims. For more than three centuries, we have welcomed generations of immigrants to our melting pot of hyphenated America: British-Americans; Italian-Americans; Irish-Americans; Jewish-Americans; Mexican-Americans; Chinese-Americans; Indian-Americans.
Female clothing seems to be extremely difficult and almost like a puzzle for a man to take off. But I think if you get there, you win. A kilt is the complete opposite. The kilt is so easy to take off.
You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing.
You do have to learn how to wear a kilt, and it's certainly very liberating and very freeing, but surprisingly very comfortable to wear, to ride a horse in a kilt. I was surprised by that.
I used the same designer and costume designer on 'The Eagle' and 'The Last King of Scotland.'
I'm from Scotland, one of four daughters, and we grew up moving every few years between Scotland, Portugal, Colombia and Scotland again.
There's so many Chinese or Asian Americans that were either born in another country like I was and raised in America or born in America and raised in America. They're normal Americans, and they just happen to have a different heritage.
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