A Quote by Ambrose Bierce
RIDICULE, n. Words designed to show that the person of whom they are uttered is devoid of the dignity of character distinguishing him who utters them.
Related Quotes
A person however learned and qualified in his life's work in whom gratitude is absent, is devoid of that beauty of character which makes personality fragrant.
Our words are, as a general rule, filled by the people to whom we address them with a meaning which those people derive from their own substance, a meaning widely different from that which we had put into the same words when we uttered them.
Learn the words of wisdom uttered by the wise and apply them in your own life. Live them - but do not a make a show of reciting them, for he who repeats what he does not understand is no better than an ass loaded with books.
There is no character, howsoever good and fine, but it can be destroyed by ridicule, howsoever poor and witless. Observe the ass, for instance: his character is about perfect, he is the choicest spirit among all the humbler animals, yet see what ridicule has brought him to. Instead of feeling complimented when we are called an ass, we are left in doubt.
God utters me like a word containing a partial thought of him. A word will never be able to comprehend the voice that utters it. But if I am true to the concept that God utters in me, if I am true to the thought of Him that I was meant to embody, I shall be full of his actuality and find him everywhere in myself, and find myself nowhere.
Within a single scene, it seems to be unwise to have access to the inner reflections of more than one character. The reader generally needs a single character as the means of perception, as the character to whom the events are happening, as the character with whom he is to empathize in order to have the events of the writing happen to him.
I find my voice and manage to say those three one-syllable words back to him. Words I haven't uttered in a very, very long time. Words that meant nothing before now.
A line runs from the meditations of the heart to the words of the mouth. The meditations are not clear to us until the mouth utters its words. If what the mouth utters is unclear or foolish or mendacious, it must be that the meditations are the same. But the line runs both ways. The words of the mouth will become the meditations of the heart, and the habit of loose talk loosens the fastenings of our understanding.
Every character I've had in my act - none of them have a similar creation story. I actually thought up Peanut and designed him in my head. I described him to a woman that was making soft puppets and she drew up some sketches. And the character came to be just because he popped into my head.
Nothing else so inspires and heartens people as words of appreciation. You and I may soon forger the words of encouragement and appreciation that we utter now, but the person to whom we have spoken them may treasure them and repeat them to themselves over a lifetime
A character does seem to have a life of its own, but I have what I'd describe as a very fluid relationship with them - as I'm thinking of what they will be like, they shift in and out of focus - they are a projection of some idea inside of me, even if a character is inspired by an actual person, I'm well aware that it is not that person. My job is to identify the essence of the character, and to bring them to life long enough to commit the acts, say the words or simply "be" in a way that allows them to affect and be affected by other elements and events in the imaginary world of a story.
It is not necessary to maintain a conversation when we are in the presence of God. We can come into His presence and rest our weary souls in quiet contemplation of Him. Our groanings, which cannot be uttered, rise to Him and tell Him better than words how dependent we are upon Him.
There is probably not one person, however great his virtue, who cannot be led by the complexities of life's circumstances to a familiarity with the vices he condemns the most vehemently--without his completely recognizing this vice which, disguised as certain events, touches him and wounds him: strange words, an inexplicable attitude, on a given night, of the person whom he otherwise has so many reasons to love.
Some words have to be explicitly uttered, Lenore. Only by actually uttering certain words does one really DO what one SAYS. 'Love' is one of those words, performative words. Some words can literally make things real.
Natural dignity of mind or manners can never be concealed; it ever commands our respect: assumed dignity, or importance, excites our ridicule and contempt.
Presents are symbolic. When you give them in your personal life, they should show that you are paying attention to the person to whom you're giving them.
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