A Quote by Ambrose Bierce

PRE-EXISTENCE, n. An unnoted factor in creation. — © Ambrose Bierce
PRE-EXISTENCE, n. An unnoted factor in creation.
'The X Factor' seems to be more about building up personalities and people in tears. And it's not a new idea. The pre-Beatles pop world was full of manufactured pop stars. The thing is that you can't imagine any of the artists you look back at and admire ever going on 'The X Factor.'
We hear much nowadays as to the speculative ideas of men concerning the condition beyond the grave; but the admission that there is an individual existence beyond the grave, is a declaration that there must have been an individual, intelligent creation before we came here in the flesh. Life beyond the grave postulates a pre-existent state.
The X Factor is something that's real. Once you find that X Factor, it's undeniable. No matter what the critics say about our band, we obviously have the X Factor. Redfoo has got the X Factor.
We are asking a really fundamental question whether thought can ever be creative. If thought is not the ground of creation then what is creation? Is love the only factor that is creative?
Many traditions date the existence of angels and demons from a remote period before the creation of the world, but some connect the fall of Satan and his host with the creation of man.
Men have had the vanity to pretend that the whole creation was made for them, while in reality the whole creation does not suspect their existence.
The act of creation is a kind of ritual. The origins of art and human existence lie hidden in this mystery of creation. Human creativity reaffirms and mystifies the power of 'life.
This life is only one of a series of lives which our incarnated part has lived. I have little doubt of our having pre-existed; and that also in the time of our pre-existence we were actively employed. So, therefore, I believe in our active employment in a future life, and I like the thought.
Every move is a creation, Maintaining the delicate balance is a creation, The line is a creation, Survival is a creation, Freedom is a creation.
The determining factor of my existence is no longer my past.
There is also purpose in life which is almost barren of both creation and enjoyment and which admits of but one possibility of high moral behavior: namely, in man's attitude to his existence, an existence restricted by external forces.
The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
If man wishes to know anything about Creation (the time of Creation, the duration of Creation, the order of Creation, the methods of Creation, or anything else) his sole source of true information is that of divine revelation.
As a filmmaker you have to keep asking yourself the question are we really going to impress them [audience] either by the wow factor, the intelligence factor, the I didn't see that coming factor?
As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.
I teach biology, it's kind of a difficult science and time is limited. As far as I'm concerned, it's all about the students. I teach classes that are for majors, so some of them are pre-med, pre-pharmacy and pre-dentistry and veterinarians.
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