A Quote by Amedeo Modigliani

What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race. — © Amedeo Modigliani
What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.
What I look for is neither reality nor unreality but the subconscious, the instinctive mystery of the human race.
The desire to run comes from deep within us — from the unconscious, the intuitive, the instinctive. And that desire becomes a passion when the runner learns to race. Then, the race becomes all — the lovemaking of the runner.
Applause is an instinctive, unconscious act expressing the sympathy between actors and audience. Just as our art demands more instinct than intellect in its exercise, so we demand of those who watch us an apppreciation of the simple unconscious kind which finds an outlet in clapping rather than the cold intellectual approval which would self-consciously think applause derogatory. I have yet to meet the actor who was sincere in saying that he disliked applause.
Human relations are impossible. When they are real they are uncomfortable, and when they are comfortable they are unreal. It was for the journey into solitude that the human soul was created.
Work on what is real rather than worry about what is unreal.
I was seeking a real love, a real deal, and I have been seeking it for a lot of years. And in that seeking, I found that God's love is real
I was seeking a real love, a real deal, and I have been seeking it for a lot of years. And in that seeking, I found that God's love is real.
I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human race, as my spirit is part of my nation. In my own very self, I am part of my family.
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations.
What I thought was unreal now, for me, seems in some ways to be more real than what I think to be real, which seems now to be unreal
The way I work is mostly unconscious and instinctive.
A mystery is not a puzzle waiting to be solved, but rather something for which there is no human solution. Mystery's offspring is not frustration but awe, and that sense of awe grows in tandem with knowledge.
My job is to portray real human beings and real human experiences, and if I haven't had a real human experience myself outside of the film industry, how am I going to be able to do that?
I sometimes feel that I'm impersonating the dark unconscious of the whole human race. I know this sounds sick, but I love it.
The human race is a very, very magical race. We have a magic power of witches and wizards. We're here on this earth to unravel the mystery of this planet. The planet is asking for it.
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