A Quote by Amelia Atwater-Rhodes

Ever hear the expression "write what you know?" My version says "write what you want to know." If you want to know about the history of Spain, write about the history of Spain - fiction or nonfiction. If your fascinated by the old west, maybe your character lives there.
I don't want you to write about what you know, because you don't know anything. I don't want to hear about your boyfriend or your grandma... I'm getting a little tired of 'my life story as fiction'. Please don't tell me about your little life - is there nothing larger? More important?
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
Write what you want to write, write what people want to hear, and write about what they're going through, because if you could connect with the people who are listening to your music and coming to your concerts and coming to your meet and greets, then you're doing your job well.
I used to write about experiences that a 20-year-old would write about - going out with your friends, having a drink. You know, things were a little bit sexier in a different way. Now, you know, I'm a mom, and I want to filter some of the things that I say.
The old adage is, 'Write what you know.' But if you only do that, your work becomes claustrophobic. I say, 'Write what you want to know.'
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
You should spend more time with your families; write that novel you've always wanted to write. You know, the one about the fearless reporter who stands up to the administration. You know - fiction.
I think it's important to understand Shari'a to be rooted in history - what we know about the history and what we don't know about the history. So then, if people want to argue, at least they're arguing from the same point and we know what we know, and we know what we don't know.
If somebody says that they want to write a book but do not know what to write about, they will never write a book.
I wouldn't write about sh*t I don't know. You won't hear me write about politics in Africa and stuff, because I don't know enough about it. And I would never rap about something I can't back up.
Write what you know. Write what you want to know more about. Write what you're afraid to write about.
A lot of writers that I know have told me that the first book you write, you write about your childhood, whether you want to or not. It calls you back.
People say to write about what you know. I'm here to tell you, no one wants to read that, cos you don't know anything. So write about something you don't know. And don't be scared, ever.
[Ernest ]Hemingway always said, "Write about what you know." I think you can do that, and if you want to write about what you don't know, you can. It just takes a lot more work.
I hate that rule that says write about what you know, it leads to too many British novels about marriages going slightly wrong. Write about what you don't know, just act as though you do.
I usually don't write songs by people calling me and saying, 'Write a song about this.' Usually I'm just going with what I want to write, so you never know.
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