A Quote by Amelia Barr
It is little men know of women; their smiles and their tears alike are seldom what they seem.
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You know, men and women are a lot alike in certain situations. Like when they're both on fire - they're exactly alike.
He reads much; He is a great observer and he looks Quite through the deeds of men: he loves no plays, As thou dost, Antony; he hears no music; Seldom he smiles, and smiles in such a sort As if he mock'd himself and scorn'd his spirit That could be moved to smile at any thing. Such men as he be never at heart's ease Whiles they behold a greater than themselves, And therefore are they very dangerous.
Everyone I know, men and women alike, would love to see the world changed so that boys and girls, men and women are valued equally for what we contribute, despite the differences in how our brains and bodies work.
But smiles and tears are so alike with me, they are neither of them confined to any particular feelings: I often cry when I am happy, and smile when I am sad.
There's very little advice in men's magazines, because men don't think there's a lot they don't know. Women do. Women want to learn. Men think, 'I know what I'm doing, just show me somebody naked.'
Lancelot: Morgaine, Morgaine - kinswoman, I have never seen you weep. Morgaine: Are you like so many men, afraid of a woman's tears? (...) Lancelot: No (...) it makes them seem so much more real, so much more vulnerable - women who never weep frighten me, because I know they are stronger than I, and I am always a little afraid of what they will do.
Seldom, very seldom, does complete truth belong to any human disclosure; seldom can it happen that something is not a little disguised, or a little mistaken.
The pit of a theatre is the one place where the tears of virtuous and wicked men alike are mingled.
The smile that illumines the features of beauty,
When kindled by virtue, alluring appears;
But smiles, tho' alluring, no magic can borrow,
To vie with the softness of beauty in tears.
The smiles that are sweetest are often deceiving;
Too often a mask which the cold-hearted wears;
But a tear is the holiest offspring of feeling,
And monarchs are weak before beauty in tears.
men have their cake and get to eat it too, for while they decree themselves as representative of humanity, women who argue that men are not, are simply showing how little they know! And when men's standards are defined as human standards, then women who assert that women are different, demonstrate how 'inhuman' they are. It is a real 'Catch 22.
My life is very monotonous," the fox said. "I hunt chickens; men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored.
It might seem at first surprising that when I studied women and men talking at work, I found that women 'interrupted' each other more often than men did - when they were in all-women conversations.
Who can describe
Women's hypocrisies! their subtle wiles,
Betraying smiles, feign'd tears, inconstancies!
Their painted outsides, and corrupted minds,
The sum of all their follies, and their falsehoods.
As women got little crumbs of power, men began to act paranoid - as if we'd disabled them utterly. Do all women have to keep silent for men to speak? Do all women have to be legless for men to walk?
But who can describe the overweening pride of men? Or women mad with passion, reckless in their hearts, soulmates to every kind of ruin that befalls us? Wild passion, unrestrained, boundless, that overcomes the women, perverts the yoke of wedlock for beasts and men alike.
The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.
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