A Quote by Amelie Mauresmo
My coach told me I had to expect, you know, some long rallies and stuff. So, you know, I was ready for this.
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I had to have my first kiss in front of, like, a hundred people. I didn't know what to do. So my sisters told me to, like, practice on a pillow, you know? But it didn't kiss me back so I didn't know what to expect.
And I know, that I know, that I know, we are about to see the greatest manifestations of God's presence ever! A prophetess named Ruth Heflin sent me a word recently and told me to get ready, to see, physical manifestations of Christ on the platforms in our crusades, that people will have visions of the Lord in the meetings. Those things have happened in the past, I know. In a Thialagua (spelling?) meeting one time in Africa, the Lord appeared to a - to the whole crowd! It is about to begin happening, I know it too! Expect it, to happen also, in your own home!
You have 20 fights, you should know what it takes to get yourself ready. If you don't feel like you're ready, you let your coach know 'hey we need to work on a little bit more of this.'
I did not know that 'poetess' was an insult, and that I myself would some day be called one. I did not know that to be told I had transcended my gender would be considered a compliment. I didn't know — yet — that black was compulsory. All of that was in the future. When I was sixteen, it was simple. Poetry existed; therefore it could be written; and nobody had told me — yet — the many, many reasons why it could not be written by me.
In life it wasn't what you know, but who you know. I had people who were trying to buy teams and had they bought the teams, I would have gotten to coach because they wanted me to coach. But the people who have the teams hire their friends.
My youth coach told me he'd got these two great 15-year-olds. I told him I don't want to know, because by the time they're 18 I'll be dead.
Then I dropped my forehead against his and sat there for a long time, as if I could telegraph a message through our two skulls, from my brain to his. I wanted to make him understand some things. You know all that stuff we’ve always said about you?” I whispered. “What a total pain you are? Don’t believe it. Don’t believe it for a minute, Marley.” He needed to know that, and something more, too. There was something I had never told him, that no one ever had. I wanted him to hear it before he went. Marley,” I said. “You are a great dog.
My followers are some of the most loyal people out there. They know everything about me and my life. They know all my drama with guys that I have crushes on, all that stupid stuff that doesn't really matter. But all that stuff allows me to build a close relationship with them.
I think one of the things about being a good coach is to recognise when you have given all that you can. In fact there should be some sort of unspoken law that says that a coach cannot have anyone for three or four years - if you have not passed on most of the stuff you know in that time, then you are not doing a good job.
When my playing career stopped and Old Dominion asked me to be an assistant, I was reluctant about it because I didn't aspire to be a coach, and I didn't know if I had the qualities to be a coach.
I’m Sam Donovan.” “I know who you are. Mrs. Kulavich told me. I’m Jaine Bright.” “I know. She told me. She even told me how you spell your name.” Now, how on earth had Mrs. Kulavich known that?
I was told I could play at the top long before I realised I could. A few people told me that. I've always had a 'name,' and I don't know how I got it, but I was blessed with people in the right situations saying good things about me.
My friend had a funny remark; he told me everybody has something - some people have a big butt, some people are insecure and at least you know what it is, even if it's a lump on your head. I know I have a lump on my head.
There's different types of coaches in life. I don't have to be a coach on the basketball court. I can be a coach for businesses. I can be a coach for kids. I can be a coach for people who have gone through adversity, because everyone has had some type of damn accident in some form or capacity.
I'm always writing something. I've got so much stuff, I don't know what to do with it. Some of it will be Strokes, some of it will be I don't know what - stuff for pop singers. TV themes. I've got a jar stuffed with songs, all these ideas that are just me humming into a recording device.
Everyone told me, "Don't ever talk about international stuff," and "Don't do long-form content online," and "Don't get too serious in news," and "Don't be too heavy" - all this stuff, all the rules. But we broke the rules, and that, ironically, has led to some of our most successful stuff.
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