A Quote by Amelie Nothomb

I never even dreamt of being a writer because I didn't feel allowed. When I was a child I was terribly ambitious, but I didn't know at all what this great thing would become.
The fame thing is interesting because I never wanted to be famous, and I never dreamt I would be famous. You know, my fantasy of being a famous writer, and again there's a slight disconnect with reality which happens a lot with me. I imagined being a famous writer would be like being like Jane Austen.
The fame thing is interesting because I never wanted to be famous, and I never dreamt I would be famous....You know I didn't think they'd rake through my bins, I didn't expect to be photographed on the beach through long lens. I never dreamt it would impact my daughter's life negatively, which at times it has. It would be churlish to say there's nothing good about being famous; to have a total stranger walk up to you as you're walking around Safeways, and say a number of nice things that they might say about your work.
But here's the thing: I had this great job, and I would still feel terribly depressed. I would just be like, 'This isn't the sweet spot. I thought this would be it, and I don't feel happy.
But here's the thing: I had this great job, and I would still feel terribly depressed. I would just be like, 'This isn't the sweet spot. I thought this would be it, and I don't feel happy.'
Even more than in the concert hall, in church there are things you can and cannot do, just out of respect. You would never have the sound of someone being nailed to a cross, or the sound of a child being born, because everybody knows the story. We know that we're meant to feel a complicated raft of things.
The thing about being a writer is that you never have to ask, 'Am I doing something that's worthwhile?' Because even if you fail at it, you know that it's worth doing.
Even though I don't write about things that come from my life because I'm lucky, and I live in a great place with great kids and, you know, a great husband, I think you can find threads of me in the characters, so that's really what being a writer is, probably.
Drawing was the only thing I was any good at in school, but I never dreamt I would, or even could, spend my life doing it.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
I've dreamt of being in a movie musical for a long time. For some reason I never even thought 'Les Mis' would be possible.
You never know if you're a writer. You can't trust it. If you woke up and said, "I'm a writer," it would be gone. You wouldn't see anything for miles - even the dust would be running away.
You never know if you're a writer. You can't trust it. If you woke up and said, 'I'm a writer,' it would be gone. You wouldn't see anything for miles - even the dust would be running away.
I am an ambitious person. In the West, being ambitious isn't a bad thing. You work hard and you have a purpose in life. But in North Korea, you can never be individualistic. You can never live for yourself. You have to live for the regime.
I feel very lucky and privileged to be a writer. I feel lucky in the sense that I can branch out into prose and tell different kinds of stories and stuff. But being a writer is so great because you're literally not dependent on anybody.
The fame thing is interesting because I never wanted to be famous, and I never dreamt I would be famous.
I feel very lucky and privileged to be a writer. I feel lucky in the sense that I can branch out into prose and tell different kinds of stories and stuff. But being a writer is so great because youre literally not dependent on anybody.
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