A Quote by America Ferrera

I'm not ashamed to say that I cried at an animation movie — © America Ferrera
I'm not ashamed to say that I cried at an animation movie
The fact that "Léon: The Professional" doesn't have every award in the world is a sign that it is underrated. I'm not even ashamed to say that I cried during every scene.
When she cried, he would say, "there is nothing wrong with crying. Your feelings tell you who are. They tell what is important. Don't ever be ashamed of them.
I've always loved animation it's the reason why I do what I do for a living - the films of Walt Disney. This art form is so spectacular and beautiful. And I never quite understood the feeling amongst animation studios that audiences today only wanted to see computer animation. It's never about the medium that a film is made in, it's about the story. It's about how good the movie is.
My first movie I saw when I was a kid was 'The Jungle Book.' I was 5 years old, and I saw it in a movie theater. Seeing that movie really lit the fuse and ignited my passion for animation.
Japanese animation tends to need high budgets. If I have a high budget for a movie, I usually make animation, but if the project has a low budget, then I would ask the producer to consider live action.
Yeah, once we decided to use that replacement animation, and the seams are a function of that animation, and other movies paint those out, we decided we wanted to keep the presence of the animation and the type of animation that it was rather than make it look polished. It created a kind of vulnerability, I think.
I love hand-drawn animation, but I have to say I have fallen in love with CG animation. What you can do in terms of visuals is pretty stunning, and I think if I did go back and do a hand-drawn animation, I would want to make sure that, from a stylistic standpoint, it would be as beautiful as 'Hunchback of Notre Dame' at least!
There was no helping her tears. For they would leave Po behind… She cried into his shoulder like a child. Ashamed of herself, for it was only a parting, and Bitterblue had not wept like this even over a death. ‘Don’t be ashamed,' Po whispered. ‘Your sadness is dear to me. Don’t be frightened. I won’t die, Katsa. I won’t die, and we’ll meet again.
I choose parts because I don't want to be embarrassed when the movie comes out. What if my friends were to see the movie? What if my niece or nephew wandered into the theater and saw the movie? I don't want to be too ashamed of it.
I cried in English, I cried in french, I cried in all the languages, because tears are the same all around the world.
My mother died when I was five, and all I did was sit and cry. I cried and cried and cried all day, until the neighbors went away.
I had a taste of a championship in San Antonio, and that was big for me. I cried when we won, and I hadn't cried in 10 years before that. It felt good, everything I'd been through, to say I was the champion at the end of the year.
People always ask me if I hate the nuns. Do I make my movies extra dirty to piss them off? I always say no, that's not the point. To a Catholic, a movie is only dirty if it makes you want to have sex more. If it makes you feel sick, disgusted, ashamed of your own body, then it's not a dirty movie at all. It's a Catholic movie. And I make very Catholic movies.
If we are not ashamed to think it, we should not be ashamed to say it.
She cried for the life she could not control. She cried for the mentor who had died before her eyes. She cried for the profound loneliness that filled her heart. But, above all, she cried for the future ... which suddenly felt so uncertain.
I try to make a really good spy movie, so the animation has to be good. 'Bot Seeks Bot' was one of my lighter and more playful ones, so it can survive not being visually told as well. I did have some issues with the quality of the inking on some of the animation, but a lot of that will only ever bother me.
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