A Quote by Amiri Baraka

I changed my name when we became aware of the African revolution and the whole question of our African roots. — © Amiri Baraka
I changed my name when we became aware of the African revolution and the whole question of our African roots.
My roots are African. The birds I remember, the fruits I ate, the trees I climbed, they're African.
After Nigeria, we are the second biggest black African nation. We are the headquarters of the African Union. We are the only African country that has never been colonized. This is perhaps the last surviving African civilization.
My roots go back to West Africa, but my last name is Kirby, which is not an African name.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
Any staffing changes that disproportionately cut the number of African Americans at CNN - intentionally or otherwise - are an affront to the African American journalism community and to the African American community as a whole.
Even if I am French, I have African roots. Helping African sport to develop is something that is very important to me. If I can use my reputation or other means to help, then I will.
We know that the African regimes, many African regimes have failed their people and many Africans want regime change, and there are a lot of African leaders who make promises but don't carry them out. I mean, the progress - I mean, it is noble for the rich countries to help Africa, but then the question is: What are African leaders themselves doing to help their own people?
There has been a struggle to reclaim the African self. That struggle has been on the part of a minority of dedicated African-Americans who never gave up our African identity at no time during our stay here.
The [Steve Harvey] foundation started originally about the educational needs of children. But, as I got into it more and more, one of my main objectives became mentoring programs for young African American men because that's our problem in our community - it's the African American men.
I don't think there are any pure Africans of the African Americans, but the African part of our history was pretty much taken away from us during slavery, so the 60s gave us a chance, because of the civil rights movement, to kind of re-examine and make some sort of formal connection to our African-ness.
Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.
In L.A., I was a talent manager for many years. I represented many African-American actors. After a while, I became disheartened over the shortage of roles for African Americans.
I only became an actor to get your attention, to challenge the archetype of an African American male; I can't be anything else in this lifetime than an African American man.
It saddens me that African Americans - when they express their pain, when they protest about police violence, when they question inequality, when they raise issues of bondage and discrimination - African Americans are seen as not patriotic.
I am very proud to be African. I want to defend African people, and I want to show to the world that African players can be as good as the Europeans and South Americans.
Science fiction is the only genre that enables African writers to envision a future from our African perspective.
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