A Quote by Amiri Baraka
Jimmy Baldwin was not only a writer, an international literary figure: he was a man, spirit, voice - old and black and terrible as that first ancestor.
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Growing up as a product of the black civil-rights movement, I had a lot of different models for black weirdness, whether it's Richard Pryor or James Baldwin or Jimmy Walker.
[James] Baldwin "was one of greatest intellectuals of his time. He was an important voice, period, not an important black voice."
My whole family was - we grew up in New York, but all my relatives and all my father and stepfather's family, they were all from the South. So I like that old Black voice, and I love the sort of old Black man with a corncob pipe, sitting there telling a whopper.
I think Don Henley is a brilliant contemporary rock writer. He would have been a fabulous poet if he weren't a musician. He was a literary major, and not only that - he's gifted with a brilliant voice. To me, Don could sing the New York City Yellow Pages and I'd buy it. I just love the sound of his voice.
It's taken me to be an older guy, an old man, to have an old man's voice. Because I only liked old men's voices. As a kid, I didn't like pip-squeaked singers.
The spirit of International Geneva is not only a catchword. It stands for Switzerland's commitment to advance international cooperation and dialogue - and we make every effort to ensure that the dynamics of the Geneva spirit are real.
The voice is not only indicative of man's character, but it is the expression of his spirit. Other sounds can be louder than the voice, but no sound can be more living.
I'm a 48-year-old writer who can remember being a 10-year-old writer and who expects someday to be an 80-year-old writer. I'm also comfortably asocial -- a hermit in the middle of Los Angeles -- a pessimist if I'm not careful, a feminist, a Black, a former Baptist, an oil-and-water combination of ambition, laziness, insecurity, certainty, and drive.
The first American ancestor of our name was a younger son of these old Devonshire people, and came to the Virginia colony in the reign of Charles the First.
A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.
Evan Handler is not only a fine actor, he’s a damn good writer. It’s Only Temporary is wise and funny and as righteously indignant as it is endearingly self-effacing. In what may be a literary first, the book actually left me wanting more.
I only remember a few things about Jimmy Carter. He had big lips and liked peanuts. I now know that Jimmy Carter was and is a good man.
Republicans think that the NAACP is the only voice in the black community. It is a voice in the black community. But it's not the only voice.
I have a black pair of suede Jimmy Choos. I've only worn them once to a Sony event. The heels have these arrow plates in a pattern. There's gold, black and white and they're amazing!
Not only do we have the handsomest voice cast out there, along with the very lovely Black Widow, we also have an incredible voice cast, in terms of being able to handle the drama, the fun, the excitement and the promise that Marvel brings to every single one of our projects, which is epic adventure on the human spirit.
Of course I'm a black writer... I'm not just a black writer, but categories like black writer, woman writer and Latin American writer aren't marginal anymore. We have to acknowledge that the thing we call "literature" is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hasidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.
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