A Quote by Amish Tripathi

Anuj Bahari has always been a really good literary agent for me. What a good agent does is that he manages many of your business aspects so you can keep your time free for writing.
I have an agent, John Brockman, who is an agent to many academic authors like Dan Gilbert and Steven Pinker, and he's very good at conning academics into writing books. He pulled this trick on me.
My advice for finding a literary agent would be first, put your work out there as much as possible and hopefully someone will find you, because I still have literary agents writing to me after they find my site. You want someone who understands your work and is going to be your cheerleader from day one.
After a while the business end of writing takes too much of the writing time. Better to pay someone ten percent and find that you're still more than ten percent ahead in the end. Which is true. My present agent says that he always feels that a good agent during the course of a year should earn back for his client at least the ten percent he takes by way of commission, so the client's really nothing out. And what he should ideally do is make him more money than the ten percent.
I think having a good agent is key. I've been with mine for ten years now, and she's very honest with me. There are a lot of times I've sent her books that were not so good because I was tired of writing, or panicked about money, and she's told me flat out, "You don't want this to be your next book. Trust me."
If you're very serious about writing it's helpful to find an agent. It's becoming more and more competitive to have your manuscript even looked at by an editor. Many companies don't accept unsolicited manuscripts anymore, so they'll pay more attention to something that comes in through an agent.
In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.
Mr Howard Saxby, literary agent, was knitting a sock. He knitted a good deal, he would tell you if you asked him, to keep himself from smoking, adding that he also smoked a good deal to keep himself from knitting.
What has happened to the good old-fashioned travel agent? I want to go to a really posh travel agent and have them organise everything for me. I don't want to do things on the Internet.
What has happened to the good old-fashioned travel agent? I want to go to a really posh travel agent and have them organize everything for me. I don't want to do things on the Internet.
It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.
If you haven't taken a writing class, take a writing class. I took every class that was available in my area. I went to conferences inside and outside my area to network with people. That's how I got my agent. I found my agent through another agent who was at a conference.
I love writing but hate starting. The page is awfully white and it says, "You may have fooled some of the people some of the time but those days are over, giftless. I'm not your agent and I'm not your mommy, I'm a white piece of paper, you wanna dance with me?" and I really, really don't. I'll go peaceable-like.
I love writing but hate starting. The page is awfully white, and it says, 'You may have fooled some of the people some of the time, but those days are over, giftless. I'm not your agent, and I'm not your mommy; I'm a white piece of paper. You wanna dance with me?' and I really, really don't. I'll go peaceable-like.
I always wanted to play with Kobe Bryant. I used to tease him all the time. Every time I was a free agent, I was like, 'What's up, bro? You got a chance to get the pit that you need. You feel me? This is your chance.'
The fact that I had a gay agent was good because he could say: 'Honey, you've got an audition today. Keep your feet on the ground, O.K.?'
When I wasn't working, I put the blame directly where it belonged - I blamed my agent. When I didn't have an agent, I spent time looking for a new agent so I would have somebody to blame.
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